ALABAMA: 'Even liberal southern papers in the
'60's
tired of Yankee superiority'
by Brandt Ayers, publisher, The Anniston Star
The
question about media power concentrated in Manhattan was put during
question time at my local parliament, the Courthouse BarberShop.
The response was: "Huh? They don't bother me none."
In normal times, the national media
mean very little to The Anniston Star and its readers.
What sparks debate in Prime Minister
Jimmy Turner's parliament is: the squabbling city council. The
first elected school board. And, finally getting a real department
store with the doubling of Quintard Mall!
Local readers aren't casualties
of the plague, which has swept all but about 300 local papers
-- some run by vivid characters -- into a pureed and neutered
mass. But New York isn't the only source of the infection. Most
former family papers are now in a pot of homogenized, chain-owned
mediocrity.
The New York media almost never
affect us, but there was a time during the civil rights movement
when southerners -- bigots and reformers alike -- felt blows of
the media elite to their self-esteem.
It was as if the original sin of
prejudice had just been discovered and isolated, like an exotic
virus found only in subtropical climes. Every southerner was Bull
Connor or Sheriff Jim Clark -- a mile wide, and all ugly.
What made the 1960s even harder
for some folks here was the local paper lining up with the "liberal
Yankee press."
But even we few liberal southern
papers in the '60s, living at the cutting edge of change, tired
of Yankee superiority: Boston and New York as centers for the
export of moral concern.
We are nostalgic about the '60s
because we will never know a time of greater moral clarity, but
we cringe at every civil rights anniversary celebrated with lazy
"roll the tape" journalism beamed from New York -- the burned
bus, the fire hoses, yet again. Where is the fresh reporting,
the context, the great writing that unlocks secrets of the human
condition?
New York means little to a family
paper. The relationship is between one family and an entire community.
The emotional strings of such a relationship are tuned more like
a cello or violin than, say, a Pete Sampras tennis racquet.
It is precisely that sensitivity
that gives a family newspaper its unique personality. It may be
less objective than a New York network, but it is more caring:
scolding and loving; hurting, being hurt and loving.
Brandt Ayers has been a journalist
since the early 1960s. He co-owns five papers and is also a syndicated
columnist, commentator, and lecturer.