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ROLE MODELS
interviews with Neil Hickey

 

BOB WOODWARD

"There are a lot of people I admire. Lincoln Steffens. I was aware of the history of what Steffens and his colleagues had done in the early part of the twentieth century. And then of course there was Vietnam, before Watergate. I was in the Navy from 1965 to 1970 and saw it up close, and read the reporting on it. Of course, there was David Halberstam's book. I guess if there's a role model, it's him."

Bob Woodward has been a reporter and editor at The Washington Post since 1971.


KATHERINE BOO

"I once was researching a nothing little story at the reading room of the FBI, which was empty except for me and a man who was hunched over, amid these enormous piles of papers. I recognized him as Taylor Branch, although I'd never met him. Just seeing him fascinated me. What was he doing? What makes it worth it -- this lonely, difficult process of going through tens of thousands of documents? What's it for? He was researching his book Parting the Waters, a wonderful telling of the civil rights movement, a labor of love and passion. Just seeing him there in the reading room made a big impression on me.

"Jason DeParle of The New York Times also influenced me because he has devoted his career to writing about poverty in America in original, non-ideological ways, getting deeper in his pieces than the usual stereotypes. John Hersey was a reporter who could take something as ineffable and difficult as the atomic bomb and cover it from a point of view that let the reader see what it really meant. What interests me is not necessarily the person who does one good investigative piece, but the people who do it over and over again. Bob Woodward, for example, finds it in himself to keep alive that intellectual curiosity, and to do the backbreaking labor."

Katherine Boo is a Pulitzer Prize-winning investigative reporter for The Washington Post.


SYDNEY SCHANBERG

"My role models at the start of my career were not investigative reporters because that phrase was never used. All good reporting is investigative to some degree. There were people like Homer Bigart, who were meticulous in their reporting. He was the digger; he stayed late at night to get it right. Also, Edith Evans Asbury. She's over 90 now, and is retired from The New York Times. The paper didn't have an investigative team back then, but she'd go out on court cases and dig things up. She was tenacious. She would get her teeth into somebody's ankle and wouldn't let go. I learned from people like that; they didn't care whose ox was being gored or what sacred cow was mooing into the publisher's ear.

"If I were to tell you that there's one person whose investigative stuff I respect most, whom I personally know, it would be Sy Hersh. But there were others I never met, like George Seldes, who was writing about the cigarette industry long before anybody wanted to print his stuff. Newspapers weren't interested because they were running tobacco advertising. I consider him to be a very brave man and a hero because he was shunned by the mainstream press, and even at his death barely got any recognition. I wouldn't say he got everything right; nobody ever does. Investigative reporting, really, is shoe-leather reporting. You go out, ring doorbells, talk to people. You don't sit on your duff in the office. You go to people's houses and have the door slammed in your face."

Sydney Schanberg won a Pulitzer in 1976 for his coverage of Cambodia in The New York Times.


MIKE WALLACE

"Influences? Of course Edward R. Murrow and his producer, Fred Friendly. They were separated at birth. The things Murrow did, when you think about it! The Senator Joseph McCarthy documentary. 'Harvest of Shame.' There were so many. Everybody had such respect for their work, and one felt, damn it, if I could do that kind of story . . . . Talk about hitching your wagon to a star. It was really that for all of us, particularly here at CBS. Back then, there were no TV newsmagazines. No Nightline. When we first started 60 Minutes, we had no idea exactly what direction it would take. Harry Reasoner and I were doing the show by ourselves, and then Harry left. 'What are we going to do?' He was the top banana. So we sat down and said, 'What can we do that isn't being done elsewhere?' Investigations. We hired quality people like producers Barry Lando and Marion Goldin. Back in those days, there was no pressure on us to go for ratings. We were on the air every other week. There was no competition, there was nothing of the same nature on at all. So as a result, we had time to develop stories, and if they didn't get an audience, what the hell, we were a loss leader anyway. CBS was riding high. When we asked [CBS News executive] Bill Leonard what he expected of us, he said simply: 'Make us proud.' Not 'Make us money.' 'Make us proud.'"

Mike Wallace, born in 1918, began his television interviewing career in 1957.



PAM ZEKMAN

"My role models are two reporters at the Chicago Tribune when I was on the investigative task force there before coming to WBBM: Bill Jones and George Bliss, both Pulitzer Prize winners. I learned from both of them. They had a real commitment to doing the kinds of stories that really affect people. They both had a tremendous social conscience and a low outrage threshold, an eye for creative ideas, for how to get difficult stories done. Also, incredible energy and patience to work on these stories over the long haul. Both had a great ability to see the big picture and then figure out how to illustrate it with examples. Bill Jones had an extraordinary writing ability and a talent for pulling massive amounts of information together in ways that made it interesting. I started out at the City News Bureau in Chicago and went to the Tribune at a time when they were forming their first task force. I was at the right place at the right time because they wanted a woman on the team. I've basically been doing that kind of team reporting ever since -- ten years in newspapers and twenty years here at WBBM. Every story brings some new challenge."

Pam Zekman has won two Peabodys, ten local Emmys, and two duPont-Columbia awards at WBBM, and shared two Pulitzers for investigative work in print.



BRIAN ROSS

"I grew up in suburban Chicago. The fifties and sixties were my formative years. What interested me were the aggressive reporters then on the Chicago Daily News and the Sun-Times -- that Chicago school of no-holds-barred journalism that made me feel this would really be exciting to do. Sandy Smith was a reporter on the Sun-Times who went after mob figures and others, and later was a reporter at Time. I was steeped in that style of reporting. To grow up as a teenager interested in journalism and to read those papers every day, and to learn how they did what they were doing -- it was an exciting time for me."

Brian Ross is chief investigative correspondent for ABC News.


BILL MOYERS

"I've admired Donald L. Barlett and James B. Steele for a long time. They were at The Philadelphia Inquirer for many years, and did major takeouts that kept the best tradition of journalism alive. They're at Time now [since 1997]. Like I. F. Stone, they got their material from the documents; they learned how to connect the dots. I admired Stone even though, when I was [in President Johnson's administration], he was always writing about us. He was finding out things that even I, as press secretary in the White House, couldn't find out."

Bill Moyers's most recent investigation was the March 26 "Trade Secrets," an exposŽ of the chemical industry.


SEYMOUR HERSH

"I.F. Stone was an influence for a lot of people who came along in the sixties because he took published documents and made something out of them. If there's any message he taught me, it's: you can't write before you read. You've got to read the documents, the transcripts of hearings, and so forth. Stone is somewhat tainted now in some people's minds. They like to think of him as some crazy lefty, but he wasn't. He was certainly a liberal. He took press statements that the government put out and read every one of them. I remember in 1966 or thereabouts, the U.S. forces in Vietnam announced a three-day cease fire; the U.S. would shut down its operations in Vietnam for three days, and so would the other side. What I.F. Stone discovered by reading all of the logistical reports was that in those three days, we quadrupled the amount of military supplies flowing into the Saigon airport. So instead of having forty flights a day, we had hundreds with supplies and arms. So in effect, we cheated very significantly. Stone got that by reading all the logistical reports. The net effect was that it raised questions about our integrity. The Vietnam war itself was a big influence. It was in your face. We do not remember how accepted that war was. Before Watergate, going after a president, a presidential policy, just wasn't done. Every war was assumed to be a just war.

"Harrison Salisbury was a role model. Homer Bigart was a role model. David Halberstam was a role model. In the early 60s when those guys were pounding away in Saigon, I was a kid reporter in Chicago. The New York Times wasn't so easy to get. I had to walk to the sole downtown newspaper kiosk, on Randolph Street, that sold it. I'd walk a mile out of my way to get a Times early in the morning. So I was very influenced by the early Vietnam correspondents, most of them at the Times. They were a very powerful influence on me."

Seymour Hersh's eighth book, Against All Enemies, is an investigation of gulf war syndrome.


LAURA WASHINGTON

"A role model of mine is Pam Zekman, with whom I worked when I was I was at WBBM. At that time in my career, she taught me just about everything I know about investigative reporting. I think she's the best in the country. She came from print into broadcasting, and has operated fabulously in both arenas. One time, she and a partner posed as husband and wife and opened a bar in downtown Chicago, and then waited for inspectors to come around and put out their hands for money. It was wonderful. They got great stuff.

"Another role model for me was the late Leanita McClain, an African-American editorial board member of the Chicago Tribune. She was a superb, spectacular writer, and although she wasn't specifically an investigative reporter, she became a role model for me in terms of making your writing sing, and being eloquent and powerful.

"Investigative reporting has interested me because it has impact and gets results. I got into this business because I grew up on the south side of Chicago in a low-income community and saw a lot of injustices being done to African-Americans in particular, and I felt that investigative journalism would be a way to right a lot of those wrongs -- to challenge the system, to ask questions. Is the system working for everyone -- for people of color and the poor, as well as it is for everyone else? That has been my mission professionally."

Laura Washington is editor and publisher of The Chicago Reporter.

MAY/JUNE 2003
SPECIAL REPORT:
Covering The War
  • To Die For
  • The New Standard
  • The War On TV
  • Dispatches: Dillow,
    Massing, Donvan,
    Shadid, Daragahi,
    Stevenson, Laurence,
    Arnot, Burnett
  • Soundtrack For War
  • 'Any Word?'
  • ARTICLES

  • A 'Learning Newspaper'
  • The Other War
  • Defining News in the Mideast
  • VOICES

  • John R. MacArthur
    Lies We Bought
  • Rhonda Roumani
    One War, Two Channels
  • Jonathan A. Knee
    False Alarm At The FCC
  • John Hatcher
    Passion On The Local Level
  • Liz Cox
    The Bias Busters' Ball
  • BOOKS

  • Shooting Under Fire
    Regarding The Pain of Others
  • Book Reports
  • CURRENTS

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  • Dateline Everywhere?
  • Role Model: Sarah McClendon
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  • The Lower Case
  • WEB EXCLUSIVES

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