OUT
OF THE SPOTLIGHT BUT ON THE MARK
Fred
Schulte & Jenni Bergal
'We
both have a sense of outrage when the system isn't working.
All of our work reflects that.'
South
Florida Sun-Sentinel (Ft. Lauderdale)
Schulte
since 1978, Bergal since 1981
BEST-KNOWN
INVESTIGATION (SCHULTE): VA Hospital series, 1984 and '86
-- Uncovered sloppy medical practices leading to the needless
suffering and deaths of scores of veterans. Pulitzer finalist.
BEST-KNOWN
INVESTIGATION (BERGAL): "Cosmetic Surgery -- The Hidden Dangers,"
with Schulte, 1998: Exposed a lack of regulation in the field
that has led to disfigurement and death for many across Florida.
Pulitzer finalist.
FAVORITE
INVESTIGATION (SCHULTE): "Destination in Doubt," 1992 -- An
exposé of boiler-room telemarketing operations that sold
fraudulent vacation packages.
FAVORITE
INVESTIGATION (BERGAL): Coverage of Maria DeSillers, a flamboyant
Florida resident who raised nearly three-quarters of a million
dollars for her son's liver transplants, kept a chunk of it for
herself -- and then stiffed the hospital for part of the bill,
1987-88.
This
husband-and-wife team is among the longest-running investigative
duos in the business. Their subject matter is varied, but often
returns to the theme of health care. Schulte, forty-eight, got
his start as a reporter for a medical trade publication in Rockville,
Maryland. When he moved to the Sun-Sentinel in 1978, he
quickly began seeing that the health-care system wasn't working
the way it had been presented inside the Beltway. He was among
the first to expose the billion-dollar HMO industry, finding fraudulent
signups and fictitious patients on a massive scale. He's been
a finalist for a Pulitzer three times -- most recently on the
cosmetic surgery story with Bergal, forty-three, who first teamed
up with Schulte on an investigation of child deaths in 1986. Together,
the two have won more than 100 awards.
While
much of their reporting has been solo or with other reporters,
they have found a happy partnership in their work together. "Fred's
the idea man," Bergal says, and while Schulte is also heavily
involved in the legwork, he is grateful for her attention to detail
and her ability to ferret out the facts.
"She
brings home the bacon," he says. "We both have a sense of outrage
when the system isn't working. All of our work reflects that.
We try to present the view from the little guy."
The
classic Bergal-Schulte investigation involves combing through
the archives of state and local agencies, looking for inconsistencies
and oversights. "A lot of the time, there are six or seven agencies
that deal with a case but they never talk to each other," Schulte
says. "We go around and try to sweep up every bit of data. Pretty
soon you can dig out things that people who are running the system
don't know."
Their
methodology hasn't endeared them to the bureaucrats they cover;
Veterans Administration officials refused to speak with Schulte,
and would only answer questions submitted in writing. The head
of the Florida Department of Health and Rehabilitation Services
complained to Bergal's top editor about her critical coverage.
Their searches take them into the most obscure -- and sometimes
uncomfortable -- repositories of information. For the cosmetic
surgery story, for example, Bergal spent weeks poring over documents
in five county morgues. That series, and one that followed on
the vanity medicine business, led to a moratorium on office surgeries
and later a mandatory prison sentence for those who practiced
without a license.
Most
recently, their series "Crashing for Cash" revealed a network
of swindlers throughout the state that stages phony crashes and
works with corrupt chiropractors and lawyers to bilk the insurance
industry of millions.
Schulte
takes the lead in the computer-assisted aspect of their work.
Before computer-assisted reporting became an industry standard,
he was working with the computer gurus in state bureaucracies
to build databases and to document trends in public health and
the health-care industry.
"They're
terrific reporters -- fact-heavy, shoe-leather reporters who are
absolutely rigorous," says longtime fan Peggy Engel, director
of the Alicia Patterson Foundation. "They have a great sense of
humor about dealing with roadblocks; they're constantly being
stonewalled, yet they manage to get the goods every time."
One
thing that characterizes their work is an emphasis on solutions;
a part of each series suggests how the system might be changed.
"We try to provide a road map for reform," Bergal says.