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TWO BROTHERS.
TWO WORLDS

BY BRENT CUNNINGHAM

John Arthur, "Boom" and Doug Arthur, "Bear"
(Photos © Larsen & Talbert; Leo Sorel)

They grew up on either end of a close, four-brother cluster in Cold Spring Harbor, Long Island, an affluent former whaling town an hour from Manhattan. Today, John and Doug Arthur are still close, but they have settled on opposite coasts, root for opposing baseball teams, and make their livings on opposite sides of the newspaper-industry debate over quality journalism and the bottom line.

They take different views, for example, of Jay Harris's resignation as publisher of the San Jose Mercury News. Doug, one of Wall Street's leading newspaper-industry analysts, cites the predicament Anthony Ridder, Knight Ridder's c.e.o., found himself in when the Silicon Valley economy ran aground. "Tony had to make some tough decisions. And to the extent that his publisher, his hand-picked publisher, didn't like the choices that were being made, my sense is that that publisher chose a poor way to demonstrate it."

Now, big brother John, an assistant managing editor at the Los Angeles Times, on Harris: "He was a highly respected, long-time newspaper professional, and if he felt that some line had been crossed, and he felt that he had to take a stand and walk out, I admire him for it."

John, fifty-three and towering, was weaned on the newspapers his father brought home on the train from the city. On summer nights he would type up the late sports scores and leave them for his father to read in the morning before going to work. "I remember my mother yelling at him because he had newspapers stacked in his room that were six months old," says Doug, or Douglas, as John still calls him. He has been managing editor of the Times's Orange County edition and editor of its Valley edition, and he helped lead the paper's Pulitzer Prize-winning coverage of the dramatic shootout in North Hollywood in 1997. Now, from behind a desktop fortress of paper, beneath the watchful gaze of an orange-haired San Francisco Giants doll, he runs the Times at night, oversees both the sports and travel sections, is a lead editor on the shift to pagination, and directs the Times's national edition. He gets so wound up when a story is breaking, colleagues say, that he seems to tremble. "When something happens that John likes," says Carol Stogsdill, who worked with him at the Times, "he stands up, throws his arms out and yells, 'Boom!'"

Doug, forty-five, a managing director at Morgan Stanley Dean Witter, landed closer to the tree. His father was a stock broker and his grandfather a Wall Street lawyer. Doug is considered the bear of the dozen or so analysts who cover the publishing sector. He developed a complex stock-ranking system last year that elevated him to third on Institutional Investor magazine's list of top analysts. And he was one of the first to sour on newspapers, downgrading all his stocks as the market peaked on January 14, 2000, at a time when newsrooms were still bulking up rather than slimming down. When the energy crisis hit California, Doug's team was the first to drill down to see what impact it would have on the state's newspapers. "Doug is a professional skeptic," says Susan Watson, a former vice president for investor relations at Gannett. "And he relishes the role."

Despite the differences -- Doug spent Memorial Day at the French Open, John at a softball tournament in Oceanside -- each brother understands and respects what the other does. "It's all rational behavior. Nobody invests to lose money," says John. "The analysts are part of that system." Doug, meanwhile, says his brother's lifelong passion for newspapers has given him a more nuanced view of his own job. "When people say newspapers are no longer relevant," he says, "it tells me they are just too lazy to read them."

The tanking economy, newsroom layoffs around the country, and Harris's shot across the bow in San Jose have reignited the rhetorical battle for the soul of American newspapers. Listening to John and Doug Arthur discuss the issues underlying that battle reveals just how differently the two sides see the world.

David Willman, a reporter in the Los Angeles Times's Washington bureau, spent three years investigating the Federal Drug Administration's drug-approval process. His stories got Rezulin -- a diabetes drug that had been fast-tracked for approval by the FDA but was actually killing people -- pulled from the market, and won the Pulitzer this year for investigative reporting. At a toast at the Times the day the Pulitzer was awarded, Willman said that only newspapers have the mandate to dig into stories like this. "His reporting saved lives," says John Arthur.

For journalists, the situation is clear. Newspapers, unlike semiconductor companies, are quirky, labor-intensive operations that have a crucial and constitutionally protected role to play in society. "The oil of democracy," is how Burl Osborne, the outgoing publisher of The Dallas Morning News, puts it.

Despite the pervasiveness of television and the rise of the Internet, newspapers -- and increasingly their Web sites -- remain the forums for competing ideas, the deliverers of information, and a check on the powerful. And to the degree that Wall Street squeezes ever-higher profits from newspaper companies without regard for the long-term damage done to their ability to fill this role, it is bad not just for newspapers but for society as a whole. "If we spend X million dollars covering the Florida recount," says John, "which was a story no one saw coming, then we'll probably have to tighten up somewhere else to even out the budget. And we'll do that. But first we go out and cover the recount the way it has to be covered."

Such a purist proposition doesn't fit well with the other side. "I'm not sure I'd go too far in saying newspapers have a special role in society," says Doug Arthur. Others in the investment community are less diplomatic. "I think that's a joke," says one money manager who spoke on the condition that his name not be used. "The media is manipulated by whoever wants to manipulate it. To say they are high and mighty is an outdated notion." For this side, the situation is equally clear. When newspapers went public, they became subject to the same financial pressures as semiconductor companies. And since then, the investment world has changed almost as dramatically as the media world. Today's capital market is global, instant, and hyper-competitive. Portfolio managers are judged on their ability to determine which company will perform the best in the next quarter, so that is how they judge the newspapers. There are investors -- Warren Buffett was mentioned by a number of people interviewed for this story -- who are in for the long haul, riding a quality company through its inevitable peaks and valleys. But most are focused on the monthly ebb and flow of stock prices and earnings. "The reactions in the market are so quick," says Tim Stautberg, a vice president of investor relations at E.W. Scripps. "If you own mutual-fund stock, you are looking at it at least monthly, if not daily, and thus the portfolio managers are under enormous pressure because there are so many places people can put their money. That pressure works its way up the system, and so there is this focus on short-term earnings."

In this arena, long-term typically means two to five years, and journalistic excellence is factored in only to the degree that it bolsters financial performance. "I don't think there's any question that if a newspaper franchise does not, over time, keep the product compelling, it will lose audience," says Doug Arthur. "This is something that investors clearly look at." In other words, a good paper arguably will attract more readers and thus more advertising. The issue of newspapers' high credibility relative to other media is another example of how John and Doug come at the same idea from different perspectives. Doug talks about how that can be used to leverage future growth on the Internet. John says credibility is earned over the years with stories like Willman's FDA series. Stories, he says, that are more likely to happen when the newsroom -- not the shareholder -- is the company's top priority. Both perspectives are valued and respected in their different worlds.

This clash of values is the newspaper industry's own cold war. No matter that John Arthur knows that newspapers aren't charities, and Doug Arthur thinks more investors should take a longer view of their investments. The reality is that Wall Street's worldview is "cold and calculated," says Doug. There is little sympathy for the inefficient journalist who whines about democracy and a higher calling.

 


ANALYSTS: BIT PLAYERS OR KINGMAKERS?

Analysts like Doug Arthur can make more than $1 million a year. Their buy-and-sell calls can influence the investment of billions of dollars. They provide research and recommendations to an array of investors, and they also let the newspapers know what Wall Street expects of them. They are liaisons, but they are also handicappers, and it is the investors who are placing the bets, based to varying degrees on the accuracy of the analysts' gut calls and the precision of their expertise. In 1999, institutional investors owned nearly 67 percent of all publicly traded newspaper stock, according to Taking Stock: Journalism and the Publicly Traded Newspaper Company, a new study by Gilbert Cranberg, Randall Bezanson, and John Soloski. These institutional investors -- major banks, mutual funds, pension funds, and the like -- are primarily focused on short-term financial performance. Thus, so are the analysts, even if they don't entirely agree with such a limited view of newspapers. Interestingly, most of the analysts interviewed for Taking Stock said public ownership, on balance, had been bad for journalism, even as they said they don't pay much attention to the editorial quality of the papers they analyze. "How do you analyze stocks? I'm interested in one thing," says Doug Arthur. "And that's what makes the stocks go. You can talk all you want about the Internet, about secular trends, but it is the ad revenue that drives it."

This short-term focus on profit margins, John Arthur says, erodes a paper's newsgathering resources. "When editors have to fill space with inexpensive wire copy," he says, "their own coverage has to suffer. Who will inform the electorate if newspapers don't? The 6 p.m. news? You've got to be kidding." Short-term focus also, he says, makes long-term editorial planning difficult. When Mark Willes, the former Times Mirror c.e.o., pulled the plug on New York Newsday in 1995, it was a textbook example of short-term financial goals undercutting long-term journalistic commitment. The ten-year-old paper had shaken up local coverage in New York, nudging The New York Times to eventually beef up its metro section. But it was still losing money and Times Mirror stock was flagging and analysts were urging that New York Newsday be purged. So it was.

How much influence the top analysts actually have -- both with the newspaper companies they cover and the investors who own the stock -- depends on their reputation and track record, on the degree to which investors do their own research, and on who's talking. The investor-relations folks at the newspaper companies interviewed for this story played down the importance of the analysts, saying, in effect, that the company's performance over time matters more to investors than the short-term drop in stock price that an analyst can spark with a negative report or downgrade.

But listen to what the c.e.o.s said about the analysts in Taking Stock: "Analysts have a lot of influence . . . . I pay a lot of attention, and the industry as a whole does, too," says Tribune's c.e.o., John Madigan. Gary Pruitt, c.e.o. of The McClatchy Company, says, "They have quite a bit of influence in general . . . because what they say can influence the stock price, and I have to serve the interests of shareholders." Doug Arthur says the companies -- not investors -- are the most sensitive to what analysts say. "If I publish something negative about a company, the c.f.o. will be on the phone with me, maybe within the hour, letting me know they don't like it," he says. The other side of the equation -- the investors -- are more difficult to read. "We've had clients tell our company and our sales force that they don't care which stocks we like or don't like, what they need from us is research, our insight, and expertise," Doug says. "But the facts don't really support that, because if we upgrade or downgrade a stock we can move it dramatically." After Doug's downgrade in January 2000, most newspaper stocks dropped 20 to 30 percent over the next ten months. Some fell even further. How much of a factor his negative tilt was in that selloff is open to debate, but it clearly played a role.

Dick Holcomb, a portfolio manager for the Michigan state pension fund, which is a big investor in newspapers, explains the analysts' role this way: "Media company A may be doing all the right things, but if I talk to my sell-side analysts and they tell me that the next quarter is going to be rough, that retail ads are soft and getting softer, then I may take my 2 percent stake in the company down to 1 percent with the idea that I will buy it back at a profit later. The media company won't understand this. They'll say, 'Why are you selling our stock? We're an excellent company.' What they don't understand is that it isn't a comment on the overall quality of the investment, but simply a temporary move to make the hit less painful for the people who have money in our fund."

No company that raises money by selling stock is spared from shareholder pressure, even those like The New York Times and The Washington Post, which have family trusts controlling the majority of voting stock. A strong stock price means more money for acquisitions and other growth. It is also a factor in determining executive bonuses and the value of employee stock options, and lessens the likelihood of a takeover attempt.

When a newspaper stock slips dangerously low, analysts again play a key role. "Let's say we are in a long recession and there's stock that is selling for $40 a share," says Holcomb, "and we get an offer for $60. Here is where the analysts play a huge role. Unless they believe that the stock is really worth, say, $80 a share, and can convince me of that, I am going to sell for $60 because I have a fiduciary responsibility to get the highest return, and I can take that $60 and reinvest it and get a higher return somewhere else."

 


THE JACK WELCH SCHOOL OF NEWSPAPER MANAGEMENT

The first thing you see in the lobby of the Los Angeles Times building, dead-on at the far end of a bank of elevators, is a screen with Tribune Company's stock price for the day, as well as other company news. The screens -- there are fourteen of them around the building -- predate Tribune's purchase of Times Mirror. But they are a powerful sign of the times. Before the dot-com bubble burst last year, it seemed the entire country had gone stock-option mad. Journalists bolted from newspapers to stake their claim in the promised land of cyberspace. So newspapers, too, opened up stock options to editorial employees in an effort to remain competitive. But John Arthur rues, rather than rejoices in, this enhancement to his retirement income.

Sitting in the nearly empty cafeteria at the Times building, he does not fit with the excitable editor his friends described. He is tired. As we talk, his eyes slide up to the stock screen on the cafeteria wall. "It is a way of reminding me that part of my salary is tied to the performance of the company," he says of his stock options. "I don't think it is an appropriate way to compensate editors, frankly."

But this is what corporations do today. As publicly traded newspaper companies have grown up, there has been a corresponding shift to professional management -- meaning leaders who come from the business world and not the newsroom. They follow a philosophy personified, Doug Arthur says, by Jack Welch, the General Electric c.e.o., who became the prophet of efficiency and earnings in the global economy. "This industry has gone from entrenched, family ownership that doesn't pay much attention at all to what shareholders think," says Doug, "to the other extreme, where they are too sensitive to pleasing shareholders in the shortest period of time." Consider this: despite precipitous declines in advertising and a bleak earnings outlook, newspaper stock prices have held steady or risen since the first of the year. "So, in fact, investors are seeing through this earnings valley," says Doug, kicked back in his corner office with a view of the Hudson River. "And it is making some of the short-term, cost-saving actions by newspaper management look unnecessary because companies aren't being penalized for very weak earnings."

Yet the shift in company management strategies has widened even further the culture gap between the people who run the companies and the people who gather and edit the news. As John Arthur moved through the ranks in the newspaper business, he witnessed this sea change firsthand. After working for two family-owned papers, he came to the Times in 1986, when it was still dominated by the Chandler family even though it had gone public in 1964. "All the corporate stuff felt distant," John says. When Willes arrived in 1995, he says, the Times entered a period of crisis. "Suddenly, we had a business-side masthead full of people who didn't know anything about newspapers." That became painfully apparent one day in 1998 when the Times ran a page-one story about a lawsuit that accused the Macy's department store in San Francisco of violating state and federal laws regarding handicapped access. "One of the business-side vice presidents who I worked very closely with, and whom I liked and respected, said, 'Why would you run a story on the front page that embarrasses one of your biggest advertisers?'" John says. "That's when I knew there was a problem." The crisis period ended with the Staples Center scandal, which John calls "a nightmare scenario of what happens when editorial judgment gets mixed up with business priorities." As for his new bosses -- the Tribune Company -- John says he likes what he sees so far. "I think they have treated us well, and are doing their best to protect us here. I do worry, though, about their ability to make long-term investments in the paper because of this focus on earnings. We'll just have to see how it all turns out."

Tribune, like all newspaper companies, has considerably more to worry about today than just sustaining editorial excellence. If the emergence of a global capital market has quickened the pace and shortened the focus of Wall Street, consolidation in the radio and television industries and the emergence of new technologies -- namely the Internet -- have produced a crowded, competitive media market that newspapers cannot ignore. "This has changed the goals of the management teams that run these companies," says Doug. "They can no longer just raise prices and fees at will. They have to run tough businesses with good margins and good cash flow. If they don't do that, investors get annoyed, and there is a much broader set of options for investors in the media sector than there was twenty years ago." Beyond pleasing investors, newspapers need the purchasing power that a strong stock price and healthy cash flow bring to grow in an age of convergence and cross-ownership. "You've got to have the cash flow to invest," says Doug, "and you only have the cash flow to invest if you are making good money. At the same time, you must be mindful of investing in the product. So it's a balance."

 


STRIKING A BALANCE

John and his wife have three daughters and a home in Santa Monica. Doug and his wife have two dogs and live in the Long Island house where he and John grew up. The Giants -- John's team -- currently have a few more wins than the New York Mets -- Doug's team. Their worlds are different, yet inextricably bound. For them, a balance is struck through love and respect.

But in the absence of that blood bond, how does the newspaper industry reach détente with Wall Street? The industry has been described as being like "a men's club," full of tradition and camaraderie. Maybe therein lie the roots of collective resistance. Maybe, John says, it will take all of the c.e.o.s following the lead of Donald Graham, the c.e.o. of The Washington Post Company, who has long made it known that he manages for the long haul and investors who don't like it can put their money elsewhere. That's exactly what Al Neuharth, of all people, urged at a conference at the University of Missouri journalism school in April. What would happen if all the newspaper c.e.o.s said enough? "Their stocks would sell off," Doug Arthur says, without hesitation. Would the investors eventually come back? "I think they would, but not with the same enthusiasm." So maybe saying "no" to the market wouldn't be the financial disaster some have portrayed it to be. In fact, when Doug pulls up the pertinent data on his computer screen, they show that the stock of the Graham-led Washington Post Company has gained value at almost the same clip as Gannett stock over the last ten years, despite vastly different management philosophies. One can argue a range of contributing factors; for instance, that having Warren Buffett own a sizable chunk of the Post is reassuring to investors. But, as Doug says, "despite a relatively cavalier attitude toward earnings, Washington Post has still been a reasonably good stock to own."

Striking a balance requires compromise from both sides. Since most newspapers already are hugely profitable, it raises the question, How much is enough? The consistent answer from Wall Street is that the market will always demand more. But readers are demanding, too, and they have other choices. So the question lingers. Between John and Doug Arthur, and between the newsrooms and the boardrooms. "We live in a greedy society," says John. "But this is a pressure newspapers don't need right now . . . The move to raise margins doesn't seem to have a ceiling. Why is 10 percent good enough for some industries and we gotta go to thirty?"

 


Brent Cunningham is CJR's associate editor.

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