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A
HAPPY NEWSROOM, FOR PETE'S SAKE
BY
RUSS BAKER
Oxymoron: a figure of speech in which opposite or contradictory
ideas are combined, as in "Happy Newsroom."
Wary
of unremittingly rosy reports about the state of morale in the
newsroom of the St. Petersburg Times, I hopped a plane to get
the real skinny. I'd been asked by cjr to find and tell a hopeful
tale of a news organization doing good work in a positive, supportive
environment -- a tough task in these days of downsized spirits.
When the initial reports from St. Pete sounded too good to be
true, I convinced a group of Times reporters to join me for a
straight-talk lunch at a nearby island-motif café. And
sure enough, out tumbled a daunting array of horror stories. They
ranged from large-scale forced retirements and a shuttered news
library to the most bizarre examples of corporate penny-pinching:
management not only telling reporters to use a single sheet of
paper towel to dry their hands but also to keep it throughout
the day for reuse; management not only telling reporters to record
every long distance call they made but also to ask sources to
call them back on their own dime.
The only thing was: none of these outrages took place at the St.
Petersburg Times. They had occurred at other newspapers and were,
in fact, the kind of misdeeds that had led many of my informants
to come to work for the Times, where, I was fervently assured,
such things could never happen, for a very simple reason: the
paper is owned by a not-for-profit journalism school and run by
executives whose primary mandate is to put out a good, even great,
newspaper. Not a paper that eschews profits, but one that subordinates
the bottom line to news reporting, feature writing, hands-on editing,
and the other little details that make journalism, properly practiced,
such a joyful and rewarding profession.
The challenges of putting out a good paper while still making
a reasonable profit are on display at the weekly senior editors'
meeting, during which the brass of the St. Petersburg Times reviews
the state of the company and previews the weekend paper. At the
meeting I attend, managing editor Neil Brown, filling in for editor
Paul Tash, starts with an item that sets an upbeat tone: heavy
reader inquiries on where to buy an Elvis doll mentioned in an
article. He updates the group on the ongoing circulation war with
the Times's closest rival, The Tampa Tribune: it seems the Trib
is trying to undercut the Times's fifteen-cent promotional price
to resort hotels by virtually giving away its papers for a nickel.
"On the journalistic side, which we're more familiar with,
although I'm beginning to wonder . . . ," says an editor,
commenting on the tenor of the small-t times. Notwithstanding
the mumbled concurrence on that point, the paper has a strong
lineup for Sunday. Topics include a millionaire who may be profiting
from his not-for-profit foundation, a heavy push by soft-drink
companies into local schools, overcrowded mental-health facilities
for convicts, overrated suburban school districts, and some light
stuff that might just work in the right hands. The Business section
will include a Day in the Life of an unemployment office and Sports
has a piece with edge about NASCAR's political and financial clout.
Discussed, too, is an ongoing look at the governor's appointment
of large GOP contributors without educational expertise to fill
posts at state universities, and the consequences of this for
education. A tough sell to the public, somebody notes, but it's
clear that the editors intend to stay on it, day after day.
------------------------------------------------------------------------
THE
REFUGEE SECTION
When
I first solicited recommendations for Best Supporting Newsroom,
the newspapers nominated tended to have something in common: profit
pressures were partially diffused or ameliorated. The News &
Observer in Raleigh, North Carolina, is owned by The McClatchy
Company, a publicly held firm noted for an uncommon willingness
to flip Wall Street the bird. Portland's Oregonian and the Newark
Star-Ledger are both owned by the Newhouse family's closely held
Advance Publications, which operates free of public shareholder
demands.
And the St. Petersburg Times is a sizable, mainstream paper (daily
circulation 350,000) that is not primarily about making money,
which seems to make a big difference in the stories and in the
lives of the people producing them. Wandering the newsroom for
insights, I am directed by several reporters to the cubicle of
Sydney P. Freedberg. A tiny woman with an outsized personality
and three Pulitzer Prizes under her belt, she immediately begins
explaining why, after working at such powerhouses as The Wall
Street Journal, The Detroit News, and The Miami Herald, she decamped
to the somnolent precincts of St. Petersburg, Florida. Her phone
rings and she snatches it. "Oh God! Don't take the buyout,"
she exhorts the person on the line, and whispers to me, "One
of my Knight Ridder friends." She hangs up and, without bothering
to comment on the serendipity of the interruption and its connection
to the point at hand, finishes her thought. "I was tired
of working for a paper that was putting profits ahead of journalism.
I found it difficult to do my job -- which was very unfortunate,
because I love the Herald, worked there a long time. I was committed
to the city, and there was all sorts of interesting news."
If the city of Miami, a bubbling stew of crime, corruption, and
Caribbean culture, offers obvious opportunities for feisty urban
reportage and challenging feature material, the city of St. Petersburg,
best known for its white sand beaches and white-haired residents,
does not. The biggest stir in this retirement haven may be generated
by the electric wheelchairs that come careening out of nowhere
in a scramble for early-bird specials. Though the Sunday lineup
approved at the meeting I attended shows the Times's commitment
to enterprise, a peek at the daily "breaking" fare shows
what its editors and reporters are up against. At the news meeting,
while an afternoon storm tugs at the state flag outside, editors
in a coral and teal third-floor conference room rattle off what
they have: an accident at Busch Gardens, a confirmation hold-up
for a Department of the Interior post, a gator attack in a nudist
colony pond, a just-released list of dangerous intersections.
Not every reporter would look at that lineup and say Sign me up!
Yet Freedberg is not alone in making the trek from Atlantic to
Gulf coast. Others include Steve Bousquet, who seemingly took
a step down to join the St. Pete Times as deputy capitol bureau
chief in Tallahassee after running the Herald's bureau there,
and Tim Nickens, a senior political writer and editor who is back
at St. Pete after a five-year interregnum at the Herald. As I
speak with Freedberg, someone yells from another cubicle: "This
is the Herald refugee section!" She laughs. "Marty Baron"
-- the former editor of the Herald who recently moved to The Boston
Globe -- "once said to me, 'I can't understand why anyone
would leave the Miami Herald for St. Pete,'" Freedberg recalls.
"I said -- or perhaps I just thought -- 'Start thinking about
it.'"
Times reporters come from all over, and come back from all over,
and they seem fairly reluctant to leave. (Newsroom turnover has
held at 10 to 12 percent in recent years, slightly below the national
average.) For an ordinary St. Pete reporting slot covering county
government, Tom Scherberger gave up a cushy post as an editor
and columnist across the bay at Media General's Tampa Tribune.
(Now he is Tampa city editor.) Stephen Buckley just moved to St.
Pete to become a roving national correspondent; most recently,
he held the presumably plum post as The Washington Post's Brazil
correspondent. Bill Adair, who moved from the St. Pete Times's
D.C. bureau to The Wall Street Journal, returned in less than
a month. And that list is just for starters.
------------------------------------------------------------------------
WHATEVER
IT TAKES
Many
of the former chain reporters I spoke with at the Times credited
the paper with a whole raft of "mores" -- more freedom
to innovate, more support, more guidance, as well as a lot of
"fewers" -- fewer administrative mandates, fewer feuds
and power struggles, fewer instances of interference or restraints
from above. They mentioned a greater willingness by their Times
bosses to let them do stories without worrying excessively about
local or demographically desirable angles, about travel restrictions,
or about duplicating the wires. The Times runs plenty of stories
from other organizations, in particular The New York Times and
The Washington Post. "But our philosophy is to try to generate
things in our own writing style and subjects, profiles with a
Florida flavor," says Nickens.
The newsroom mantra seems to be Whatever It Takes. "This
paper thinks big," says Wes Allison, the medical writer.
"Anyone with a good idea and the ability to focus that idea
will get a lot of support." When Anita Kumar, a young civil-courts
and consumer-affairs reporter, pitched a Florida angle on the
Firestone tire controversy, she got a green light. Backed by computer-assisted
analysis, she found 149 tire-related accidents with forty-one
fatalities in the state since 1997, and later was permitted to
go to Washington to cover the hearings. To verify a tip that a
prospective county contractor was planning to comp a local commissioner
for part of a gambling junket, the paper flew reporters to Las
Vegas; they were there when the commissioner showed up.
The Times's independent spirit inspires feistiness: the paper
questioned practices at a casino run by the politically connected
Seminole Indian tribe and has for years doggedly covered Scientology,
which has a large facility in nearby Clearwater and is famous
for bullying news organizations. Other examples of enterprise
include "Make the Money and Run," a detailed exhumation
of Jeb Bush's financial activities that ran during his 1998 candidacy
for governor, and a 1997-1998 investigation of the Rev. Henry
J. Lyons, head of the National Baptist Convention USA and the
nation's preeminent black church leader, who would later be found
to have used his position to illegally enrich himself. "God
knows how much money we spent on that," says Craig Pittman,
the Times's environment reporter, one of several reporters on
the Lyons story. "We were ahead of the state attorney's investigation."
Saving money and churning out copy is obviously not the thing
here, as evidenced by the latitude accorded feature writer extraordinaire
Thomas French, who won a Pulitzer in 1998 for a seven-part narrative
series about the disappearance of a woman and her two daughters
while on vacation in Florida. French worked on that project over
the course of three years. He recently produced a three-part series
on, of all things, his own family -- an unusual narrative that
traced three generations and explored the tensions that define
a family. "They have been extremely supportive of me, taking
some chances and testing the boundaries of what can go into a
newspaper," says French.
Even Gil Thelen, editor of the rival Tampa Tribune, is remarkably
complimentary about the Times, although he raises some doubt about
how happy copy editors are at St. Pete. "We have had people
go to us, or go there and come back," he says. "They
found the paper didn't value copy editing, that it is more a reporter's
paper. From a reporter's point of view, people find that the Times
encourages enterprise, taking risks, and does things out of the
norm in terms of presentation, and that's always fun. They're
certainly paid pretty well over there; they can pay ten to fifteen
percent more than we can. They're very smart about identifying
our best people and recruiting them."
The attention and respect accorded to writers pays off in the
product, and surely contributes to an extremely loyal local following.
The Times's daily penetration figure of 56.01 percent is well
ahead of The Tampa Tribune, Orlando Sentinel, and The Miami Herald.
"People here seem really proud of their paper," marvels
feature writer Lane DeGregory, who joined the paper last fall.
"The guy who puts in your phone line at home says, 'You work
for the St. Petersburg Times? I luuuuv the St. Pete Times.'"
------------------------------------------------------------------------
GOOD
FENCES
Credit
the paper's late owner, Nelson Poynter, for finding a way to insulate
the paper from the demands of a rapacious stock market. Reportedly
irked by a suggestion from his friend Jack Knight -- as in Knight
Ridder -- that he consider selling him his paper, Poynter decided
instead to do something revolutionary. He created a not-for-profit
educational institution, the Modern Media Institute (renamed,
after his death in 1978, the Poynter Institute) and turned his
paper over to it. The Poynter Institute is dedicated to training
working journalists to do superior journalism. Poynter's decision
to create a school was partly influenced by the fact that, while
a foundation is not allowed to hold more than 20 percent of an
operating company, a school can own the whole thing. Although
it's not unheard of for journalism to emanate from a teaching
institution, the Poynter relationship is unique. Rather than a
modest news operation being subsidized by a school, the school
is primarily funded by a big, profitable news operation.
"Nelson Poynter was very farsighted a long time before it
became widely apparent there was a huge danger in public ownership,"
says Jim Naughton, the Poynter Institute's president. Instead
of cashing out, Poynter turned his operation into a veritable
Fort Knox of journalism values, impervious to assault by those
who would trade honor for gold. To further that end, Poynter installed
a single person to preside over both institutions, the one that
makes the money and the nonprofit that relies on it. That person
has sole authority to choose a successor.
Andrew Barnes holds the position now -- chairman of the St. Petersburg
Times and of the Poynter Institute. And Barnes has let it be known
that his choice for successor is Paul Tash, the Times's current
editor and president, and a St. Pete lifer whom Barnes's predecessor,
Eugene Patterson, hired straight out of Indiana University.
The Poynter Institute, housed in an impressive wood and glass
structure with soaring ceilings near the University of South Florida
campus across town, tries hard (for purposes of propriety and
compliance with IRS regulations) to avoid even a hint of favoring
or benefiting the Times through its courses. In fact, some Times
reporters grumble that it is much harder for them to get into
Poynter than for other journalists. "It's an arm's-length
relationship," says Naughton. "We may be doing more
for The Tampa Tribune."
Another structural safeguard: at the Times, the top decision-maker
must be a journalist. Barnes and Tash were both reporters (as
was Eugene Patterson), and both still seem primarily motivated
by excitement over a good story.
Sometimes the unusual arrangement draws heat. In May the Times
came under criticism from the local alternative paper, The Weekly
Planet, which criticized the Times for tilting in this spring's
mayoral race toward Rick Baker, the eventual winner, whose law
firm has business connections to Poynter. The Planet, which landed
a cjr Laurel (July/August) for covering the apparent conflict,
noted that the Times failed to remind readers of a 1990 federal
case against Baker's aircraft-parts business, in which two of
his brothers went to jail for, among other things, defrauding
the military. Managing editor Brown notes that not even Baker's
opponents knew about or raised the family scandal during the campaign.
But he says the Times is determined to do better next time. "We
have talked about redoubling our efforts to find out about candidates
in advance of the election."
------------------------------------------------------------------------
EDITORS
AND WRITERS
Like
a successful sports organization cultivating the coaching ranks,
the Times chooses editors carefully, gives them strong direction,
then allows them to make their unique imprint on their staff.
That's vital to the paper's success, according to feature writer
Lane DeGregory, who was by her count the forty-ninth person out
of a staff of 200 to jump ship from The Virginian-Pilot, her previous
employer, in the year 2000. A primary factor in her decision to
leave that paper after a decade was that she wanted to remain
a writer. "They were trying to move people up through the
ranks to be editors, and they didn't want to be," she says.
(At the Times, DeGregory says, she's encouraged to see many older
journalists still typing away. "It looks like you can have
a career as a writer without being pushed into being an editor.")
One of the first things managing editor Neil Brown did on assuming
his post was to reorganize lines of authority so that each editor
handles a small number of reporters. Today, the Metro section,
for example, has four assistant Metro editors, each supervising
just four to seven reporters. "This is an editor-intensive
paper," says Joe Childs, the managing editor in the Clearwater
bureau. "I can guarantee job candidates that they will have
direct, hands-on editing, guidance, and coaching."
"You spend a lot more time up front talking through the story,
where to go with it," says Lisa Greene, a reporter in the
Clearwater bureau. "I'll also touch base a lot while I'm
reporting, and it shows in the stories: they're more tightly focused,
better written."
The constant feedback and communication between editor and reporter
is a revelation to many arrivals. So is a flexible management
culture. The Times is seen as family-friendly, says the social
services reporter Curtis Krueger. "If I have to leave half
an hour early for a Little League game, it's okay as long as I
make up the time."
Tash and company also seem to have communicated the notion that
it's okay to be friendly, a wonderful innovation in the eyes of
Sydney Freedberg, who professes her love for the Herald, her former
paper, but nevertheless looks back at it as "full of insecure
overachievers in a paranoid atmosphere. I'd forgotten you could
do good journalism and have a good time." "Vitality
breaks" are available at the Times five times a month in
the form of chair massages, and some editors dispense their own
goodwill. Business editor Alecia Swasy keeps a "happy drawer"
loaded with sweets. "There's a correlation between chocolate
served and copy moved," she asserts as, outside her office,
a reporter can be seen rummaging for a sugar high.
The culture of the Times, meanwhile, produces what can seem like
an awful lot of editor-level meetings. All mid-level editors sit
in on budget meetings and phone calls to bureaus. Tash says the
idea is to give his editors the big picture. "With a view
at least one radius larger, it helps them to see their stories
creatively, and how their portfolio fits in with our larger mission,"
he says. Says Tim Nickens, "This is a collegial place, with
a flattened flow chart, where things are decided by consensus
rather than ultimatum. Sometimes that can be clumsy, but in the
long run, you get greater diversity of thinking and creativity."
One kind of diversity, perhaps, but not another, according to
Eric Deggans, the TV critic and an African-American who is a local
officer of the National Association of Black Journalists. "The
paper is committed to trying to make diversity a reality,"
he says, "but it's nowhere near there. There are no people
of color in top management."
The paper seems to be somewhat sensitive to criticism but willing
to talk about it. In the mid-1980s, then editor Patterson parted
ways with a journalism professor who was writing a house history.
But when the independently published book came out, the paper
aired the dispute -- and gave the book a positive review.
------------------------------------------------------------------------
PROFIT
IN ITS PLACE
Despite
its unique structure, the St. Pete Times isn't fully exempt from
the vagaries of the market. "There's a common misconception,"
says Tash. "St. Petersburg is profitable -- and usually nicely
profitable."
In response to the recent financial downturn, the paper has taken
steps to cut costs, reducing the newshole by two pages a day and
trimming some expenses, such as travel. The paper has also put
a hold on its vaunted automatic cost-of-living increases. But
no one has been laid off or bought out, putting the paper in sharp
contrast to the large chains. The nonunion newspaper does not
discuss salaries, but experienced reporters put their annual pay
in the $50,000 and low $60,000 range, and point out that St. Pete
living is relatively cheap.
Mainly, the St. Petersburg Times difference is a certain permissible
moderation in the pursuit of profits. The stress is on balance,
hence Barnes's intriguing 1998 statement in American Journalism
Review that it will be a problem for the paper if profits either
are under 10 percent -- or over 20 percent.
"We got ourselves into a terrible trap when we started taking
newspapers public," Eugene Patterson, the editor emeritus,
told me over dinner one night. "There's a public service
aspect to running a newspaper, and a money-making aspect when
you go public. The profit motive becomes key and you're unfair
to your investor when you don't try to maximize profits."
Patterson, who served as a junior officer under General George
Patton and knows something about performing under pressure, worries
that even The New York Times and The Washington Post will eventually
begin to show the effects of public ownership. "They're going
to hit the wall -- instead of publishing the Pentagon Papers and
Watergate, they're going to hear from their investors: 'Hey, you
can't do that.'"
At the lunch where I met with several St. Pete reporters, environmental
reporter Craig Pittman recounted how the chairman of his former
paper's parent company required two limos at his disposal -- with
a particular brand of champagne on ice. That prompted the Times's
political writer Alicia Caldwell to note that "in the corporate
culture here, consumptive greed doesn't exist." Tash does
have a rather nice corner office with a view, but he drives an
old Nissan Sentra with a pile of pennies on the dashboard. Meanwhile,
the Times, whose senior-heavy readership area is often described
as "God's waiting room," has reclaimed its title as
the state's largest daily -- and the only major paper with both
daily and Sunday circulations on the rise.
------------------------------------------------------------------------
Russ Baker is a contributing editor to CJR. His last article,
"Hanging with the Chads" (March/April), was about the
journalistic efforts to understand the presidential election in
Florida.
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