ARTICLES
Re-thinking
Objectivity
By
Brent Cunningham
In
his March 6 press conference, in which he laid out his reasons
for the coming war, President Bush mentioned al Qaeda or the attacks
of September 11 fourteen times in fifty-two minutes. No one challenged
him on it, despite the fact that the CIA had questioned the Iraq-al
Qaeda connection, and that there has never been solid evidence
marshaled to support the idea that Iraq was involved in the attacks
of 9/11.
When Bush proposed his $726 billion tax cut in January,
his sales pitch on the plan's centerpiece - undoing the "double-taxation"
on dividend earnings - was that "It's unfair to tax money
twice." In the next two months, the tax plan was picked over
in hundreds of articles and broadcasts, yet a Nexis database search
turned up few news stories - notably, one by Donald Barlett and
James Steele in Time on January 27, and another by Daniel Altman
in the business section of The New York Times on January
21 - that explained in detail what was misleading about the president's
pitch: that in fact there is plenty of income that is doubly,
triply, or even quadruply taxed, and that those other taxes affect
many more people than the sliver who would benefit from the dividend
tax cut.
Before the fighting started in Iraq, in the dozens
of articles and broadcasts that addressed the potential aftermath
of a war, much was written and said about the maneuverings of
the Iraqi exile community and the shape of a postwar government,
about cost and duration and troop numbers. Important subjects
all. But few of those stories, dating from late last summer, delved
deeply into the numerous and plausible complications of the aftermath.
That all changed on February 26, when President Bush spoke grandly
of making Iraq a model for retooling the entire Middle East. After
Bush's speech "aftermath" articles began to flow like
the waters of the Tigris - including cover stories in Time
and The New York Times Magazine - culminating in The Wall
Street Journal's page-one story on March 17, just days before
the first cruise missiles rained down on Baghdad, that revealed
how the administration planned to hand the multibillion-dollar
job of rebuilding Iraq to U.S. corporations. It was as if the
subject of the war's aftermath was more or less off the table
until the president put it there himself.
There is no single explanation for these holes in
the coverage, but I would argue that our devotion to what we call
"objectivity" played a role. It's true that the Bush
administration is like a clenched fist with information, one that
won't hesitate to hit back when pressed. And that reporting on
the possible aftermath of a war before the war occurs, in particular,
was a difficult and speculative story.
Yet these three examples - which happen to involve
the current White House, although every White House spins stories
- provide a window into a particular failure of the press: allowing
the principle of objectivity to make us passive recipients of
news, rather than aggressive analyzers and explainers of it. We
all learned about objectivity in school or at our first job. Along
with its twin sentries "fairness" and "balance,"
it defined journalistic standards.
Or did it? Ask ten journalists what objectivity
means and you'll get ten different answers. Some, like the Washington
Post's editor, Leonard Downie, define it so strictly that
they refuse to vote lest they be forced to take sides. My favorite
definition was from Michael Bugeja, who teaches journalism at
Iowa State: "Objectivity is seeing the world as it is, not
how you wish it were." In 1996 the Society of Professional
Journalists acknowledged this dilemma and dropped "objectivity"
from its ethics code. It also changed "the truth" to
simply "truth."
TRIPPING TOWARD THE TRUTH
As E.J. Dionne wrote in his 1996 book, They Only
Look Dead, the press operates under a number of conflicting
diktats: be neutral yet investigative; be disengaged but have
an impact; be fair-minded but have an edge. Therein lies the nut
of our tortured relationship with objectivity. Few would argue
that complete objectivity is possible, yet we bristle when someone
suggests we aren't being objective - or fair, or balanced - as
if everyone agrees on what they all mean.
Over the last dozen years a cottage industry of
bias police has sprung up to exploit this fissure in the journalistic
psyche, with talk radio leading the way followed by Shout TV and
books like Ann Coulter's Slander and Bernard Goldberg's
Bias. Now the left has begun firing back, with Eric Alterman's
book What Liberal Media? (CJR, March/April) and a group
of wealthy Democrats' plans for a liberal radio network. James
Carey, a journalism scholar at Columbia, points out that we are
entering a new age of partisanship. One result is a hypersensitivity
among the press to charges of bias, and it shows up everywhere:
In October 2001, with the war in Afghanistan under way, then CNN
chairman Walter Isaacson sent a memo to his foreign correspondents
telling them to "balance" reports of Afghan "casualties
or hardship" with reminders to viewers that this was, after
all, in response to the terrorist attacks of September 11. More
recently, a CJR intern, calling newspaper letters-page editors
to learn whether reader letters were running for or against the
looming war in Iraq, was told by the letters editor at The
Tennessean that letters were running 70 percent against the
war, but that the editors were trying to run as many prowar letters
as possible lest they be accused of bias.
Objectivity has persisted for some valid reasons,
the most important being that nothing better has replaced it.
And plenty of good journalists believe in it, at least as a necessary
goal. Objectivity, or the pursuit of it, separates us from the
unbridled partisanship found in much of the European press. It
helps us make decisions quickly - we are disinterested observers
after all - and it protects us from the consequences of what we
write. We'd like to think it buoys our embattled credibility,
though the deafening silence of many victims of Jayson Blair's
fabrications would argue otherwise. And as we descend into this
new age of partisanship, our readers need, more than ever, reliable
reporting that tells them what is true when that is knowable,
and pushes as close to truth as possible when it is not.
But our pursuit of objectivity can trip us up on
the way to "truth." Objectivity excuses lazy reporting.
If you're on deadline and all you have is "both sides of
the story," that's often good enough. It's not that such
stories laying out the parameters of a debate have no value for
readers, but too often, in our obsession with, as The Washington
Post's Bob Woodward puts it, "the latest," we fail
to push the story, incrementally, toward a deeper understanding
of what is true and what is false. Steven R. Weisman, the chief
diplomatic correspondent for The New York Times and a believer
in the goal of objectivity ("even though we fall short of
the ideal every day"), concedes that he felt obliged to dig
more when he was an editorial writer, and did not have to be objective.
"If you have to decide who is right, then you must do more
reporting," he says. "I pressed the reporting further
because I didn't have the luxury of saying X says this and Y says
this and you, dear reader, can decide who is right."
It exacerbates our tendency to rely on official
sources, which is the easiest, quickest way to get both the "he
said" and the "she said," and, thus, "balance."
According to numbers from the media analyst Andrew Tyndall, of
the 414 stories on Iraq broadcast on NBC, ABC, and CBS from last
September to February, all but thirty-four originated at the White
House, Pentagon, and State Department. So we end up with too much
of the "official" truth.
More important, objectivity makes us wary of seeming
to argue with the president - or the governor, or the ceo - and
risk losing our access. Jonathan Weisman, an economics reporter
for The Washington Post, says this about the fear of losing
access: "If you are perceived as having a political bias,
or a slant, you're screwed."
Finally, objectivity makes reporters hesitant to
inject issues into the news that aren't already out there. "News
is driven by the zeitgeist," says Jonathan Weisman, "and
if an issue isn't part of the current zeitgeist then it will be
a tough sell to editors." But who drives the zeitgeist, in
Washington at least? The administration. In short, the press's
awkward embrace of an impossible ideal limits its ability to help
set the agenda.
This is not a call to scrap objectivity, but rather
a search for a better way of thinking about it, a way that is
less restrictive and more grounded in reality. As Eric Black,
a reporter at the Minneapolis Star Tribune, says, "We
need a way to both do our job and defend it."
AN IDEAL'S TROUBLED PAST
American journalism's honeymoon with objectivity
has been brief. The press began to embrace objectivity in the
middle of the nineteenth century, as society turned away from
religion and toward science and empiricism to explain the world.
But in his 1998 book, Just the Facts, a history of the
origins of objectivity in U.S. journalism, David Mindich argues
that by the turn of the twentieth century, the flaws of objective
journalism were beginning to show. Mindich shows how "objective"
coverage of lynching in the 1890s by The New York Times
and other papers created a false balance on the issue and failed
"to recognize a truth, that African-Americans were being
terrorized across the nation."
After World War I, the rise of public relations
and the legacy of wartime propaganda - in which journalists such
as Walter Lippman had played key roles - began to undermine reporters'
faith in facts. The war, the Depression, and Roosevelt's New Deal
raised complex issues that defied journalism's attempt to distill
them into simple truths. As a result, the use of bylines increased
(an early nod to the fact that news is touched by human frailty),
the political columnist crawled from the primordial soup, and
the idea of "interpretive reporting" emerged. Still,
as Michael Schudson argued in his 1978 book Discovering the
News, journalism clung to objectivity as the faithful cling
to religion, for guidance in an uncertain world. He wrote: "From
the beginning, then, criticism of the 'myth' of objectivity has
accompanied its enunciation . . . . Journalists came to believe
in objectivity, to the extent that they did, because they wanted
to, needed to, were forced by ordinary human aspiration to seek
escape from their own deep convictions of doubt and drift."
By the 1960s, objectivity was again under fire,
this time to more fundamental and lasting effect. Straight, "objective"
coverage of McCarthyism a decade earlier had failed the public,
leading Alan Barth, an editorial writer at The Washington Post,
to tell a 1952 gathering of the Association for Education in Journalism:
"There can be little doubt that the way [Senator Joseph McCarthy's
charges] have been reported in most papers serves Senator McCarthy's
partisan political purposes much more than it serves the purposes
of the press, the interest of truth." Government lies about
the U2 spy flights, the Cuban missile crisis, and the Vietnam
War all cast doubt on the ability of "objective" journalism
to get at anything close to the truth. The New Journalism of Tom
Wolfe and Norman Mailer was in part a reaction to what many saw
as the failings of mainstream reporting. In Vietnam, many of the
beat reporters who arrived believing in objectivity eventually
realized, if they stayed long enough, that such an approach wasn't
sufficient. Says John Laurence, a former CBS News correspondent,
about his years covering Vietnam: "Because the war went on
for so long and so much evidence accumulated to suggest it was
a losing cause, and that in the process we were destroying the
Vietnamese and ourselves, I felt I had a moral obligation to report
my views as much as the facts."
As a result of all these things, American journalism
changed. "Vietnam and Watergate destroyed what I think was
a genuine sense that our officials knew more than we did and acted
in good faith," says Anthony Lewis, the former New York
Times reporter and columnist. We became more sophisticated
in our understanding of the limits of objectivity. And indeed,
the parameters of modern journalistic objectivity allow reporters
quite a bit of leeway to analyze, explain, and put news in context,
thereby helping guide readers and viewers through the flood of
information.
Still, nothing replaced objectivity as journalism's
dominant professional norm. Some 75 percent of journalists and
news executives in a 1999 Pew Research Center survey said it was
possible to obtain a true, accurate, and widely agreed-upon account
of an event. More than two-thirds thought it feasible to develop
"a systematic method to cover events in a disinterested and
fair way." The survey also offered another glimpse of the
objectivity fissure: more than two-thirds of the print press in
the Pew survey also said that "providing an interpretation
of the news is a core principle," while less than half of
those in television news agreed with that.
THE MORE THINGS CHANGE
If objectivity's philosophical hold on journalism
has eased a bit since the 1960s, a number of other developments
have bound us more tightly to the objective ideal and simultaneously
exacerbated its shortcomings. Not only are journalists operating
under conflicting orders, as E.J. Dionne argued, but their corporate
owners don't exactly trumpet the need to rankle the status quo.
It is perhaps important to note that one of the original forces
behind the shift to objectivity in the nineteenth century was
economic. To appeal to as broad an audience as possible, first
the penny press and later the new wire services gradually stripped
news of "partisan" context. Today's owners have squeezed
the newshole, leaving less space for context and analysis.
If space is a problem, time is an even greater one.
The nonstop news cycle leaves reporters less time to dig, and
encourages reliance on official sources who can provide the information
quickly and succinctly. "We are slaves to the incremental
daily development," says one White House correspondent, "but
you are perceived as having a bias if you don't cover it."
This lack of time makes a simpleminded and lazy version of objectivity
all the more tempting. In The American Prospect of November
6, 2000, Chris Mooney wrote about how "e-spin," a relentless
diet of canned attacks and counterattacks e-mailed from the Bush
and Gore campaigns to reporters, was winding up, virtually unedited,
in news stories. "Lazy reporters may be seduced by the ease
of readily provided research," Mooney wrote. "That's
not a new problem, except that the prevalence of electronic communication
has made it easier to be lazy."
Meanwhile, the Internet and cable news's Shout TV,
which drive the nonstop news cycle, have also elevated the appeal
of "attitude" in the news, making the balanced, measured
report seem anachronistic. In the January/February issue of cjr,
young journalists asked to create their dream newspaper wanted
more point-of-view writing in news columns. They got a heavy dose
of it during the second gulf war, with news "anchors"
like Fox's Neil Cavuto saying of those who opposed the war, "You
were sickening then; you are sickening now."
Perhaps most ominous of all, public relations, whose
birth early in the twentieth century rattled the world of objective
journalism, has matured into a spin monster so ubiquitous that
nearly every word a reporter hears from an official source has
been shaped and polished to proper effect. Consider the memo from
the Republican strategist Frank Luntz, as described in a March
2 New York Times story, that urged the party - and President
Bush - to soften their language on the environment to appeal to
suburban voters. "Climate change" instead of "global
warming," "conservationist" rather than "environmentalist."
To the extent that the threat of being accused of bias inhibits
reporters from cutting through this kind of manipulation, challenging
it, and telling readers about it, then journalism's dominant professional
norm needs a new set of instructions.
Joan Didion got at this problem while taking Bob
Woodward to task in a 1996 piece in The New York Review of
Books for writing books that she argued were too credulous,
that failed to counter the possibility that his sources were spinning
him. She wrote:
The genuflection toward "fairness" is
a familiar newsroom piety, in practice the excuse for a good deal
of autopilot reporting and lazy thinking but in theory a benign
ideal. In Washington, however, a community in which the management
of news has become the single overriding preoccupation of the
core industry, what "fairness" has often come to mean
is a scrupulous passivity, an agreement to cover the story not
as it is occurring but as it is presented, which is to say as
it is manufactured.
Asked about such criticism, Woodward says that for
his books he has the time and the space and the sources to actually
uncover what really happened, not some manufactured version of
it. "The best testimony to that," he says, "is
that the critics never suggest how any of it is manufactured,
that any of it is wrong." Then, objectivity rears its head.
"What they seem to be saying," Woodward says of his
critics, "is that I refuse to use the information I have
to make a political argument, and they are right, I won't."
Yet some of Woodward's critics do suggest how his material is
manufactured. Christopher Hitchens, reviewing Woodward's latest
book, Bush at War, in the June issue of The Atlantic
Monthly, argues that, while reporting on a significant foreign-policy
debate, Woodward fully presents the point of view of his cooperative
sources, but fails to report deeply on the other sides of the
argument. Thus he presents an incomplete picture. "Pseudo-objectivity
in the nation's capital," Hitchens writes, "is now overripe
for regime change."
TO FILL THE VOID
Jason Riley is a young reporter at the Louisville
Courier-Journal. Along with a fellow reporter, R.G. Dunlop,
he won a Polk award this year for a series on dysfunction in the
county courts, in which hundreds of felony cases dating back to
1983 were lost and never resolved. Riley and Dunlop's series was
a classic example of enterprise reporting: poking around the courthouse,
Riley came across one felony case that had been open for several
years. That led to more cases, then to a drawer full of open cases.
No one was complaining, at least publicly, about this problem.
In a first draft, Riley wrote that the system was flawed because
it let cases fall off the docket and just disappear for years.
"I didn't think it needed attribution because it was the
conclusion I had drawn after six months of investigation,"
he writes in an e-mail. But his editor sent it back with a note:
"Says who?"
In a follow-up profile of the county's lead prosecutor,
a man Riley has covered for three years, many sources would not
criticize the prosecutor on the record. He "knew what people
thought of him, knew what his strengths and weaknesses were,"
Riley says. "Since no one was openly discussing issues surrounding
him, I raised many in my profile without attribution." Again
his editors hesitated. There were discussions about the need to
remain objective. "Some of my conclusions and questions were
left out because no one else brought them up on the record,"
he says.
Riley discovered a problem on his own, reported
the hell out of it, developed an understanding of the situation,
and reached some conclusions based on that. No official sources
were speaking out about it, so he felt obliged to fill that void.
Is that bias? Good reporters do it, or attempt to do it, all the
time. The strictures of objectivity can make it difficult. "I
think most journalists will admit to feeding sources the information
we want to hear, for quotes or attribution, just so we can make
the crucial point we are not allowed to make ourselves,"
Riley says. "But why not? As society's watchdogs, I think
we should be asking questions, we should be bringing up problems,
possible solutions . . . writing what we know to be true."
Last fall, when America and the world were debating
whether to go to war in Iraq, no one in the Washington establishment
wanted to talk much about the aftermath of such a war. For the
Bush administration, attempting to rally support for a preemptive
war, messy discussions about all that could go wrong in the aftermath
were unhelpful. Anything is better than Saddam, the argument went.
The Democrats, already wary of being labeled unpatriotic, spoke
their piece in October when they voted to authorize the use of
force in Iraq, essentially putting the country on a war footing.
Without the force of a "she said" on the aftermath story,
it was largely driven by the administration, which is to say stories
were typically framed by what the administration said it planned
to do: work with other nations to build democracy. Strike a blow
to terrorists. Stay as long as we need to and not a minute longer.
Pay for it all with Iraqi oil revenue. There were some notable
exceptions - a piece by Anthony Shadid in the October 20 Boston
Globe, for instance, and another on September 22 by James
Dao in The New York Times, pushed beyond the administration's
broad assumptions about what would happen when Saddam was gone
- but most of the coverage included only boilerplate reminders
that Iraq is a fractious country and bloody reprisals are likely,
that tension between the Kurds and Turks might be a problem, and
that Iran has designs on the Shiite region of southern Iraq.
David House, the reader advocate for the Fort Worth Star-Telegram,
wrote a piece on March 23 that got at the press's limitations
in setting the agenda. "Curiously, for all the technology
the news media have, for all the gifted minds that make it all
work . . . it's a simple thing to stop the media cold. Say nothing,
hide documents."
In November, James Fallows wrote a cover story for
The Atlantic Monthly entitled "The Fifty-First State?
The Inevitable Aftermath of Victory in Iraq." In it, with
the help of regional experts, historians, and retired military
officers, he gamed out just how difficult the aftermath could
be. Among the scenarios he explored: the financial and logistical
complications caused by the destruction of Baghdad's infrastructure;
the possibility that Saddam Hussein would escape and join Osama
bin Laden on the Most Wanted list; how the dearth of Arabic speakers
in the U.S. government would hinder peacekeeping and other aftermath
operations; how the need for the U.S., as the occupying power,
to secure Iraq's borders would bring it face to face with Iran,
another spoke in the "axis of evil"; the complications
of working with the United Nations after it refused to support
the war; what to do about the Iraqi debt from, among other things,
UN-imposed reparations after the first gulf war, which some estimates
put as high as $400 billion.
Much of this speculation has since come to pass
and is bedeviling the U.S.'s attempt to stabilize - let alone
democratize - Iraq. So are some other post-war realities that
were either too speculative or too hypothetical to be given much
air in the prewar debate. Looting, for instance, and general lawlessness.
The fruitless (thus far) search for weapons of mass destruction.
The inability to quickly restore power and clean water. A decimated
health-care system. The difficulty of establishing an interim
Iraqi government, and the confusion over who exactly should run
things in the meantime. The understandably shallow reservoir of
patience among the long-suffering Iraqis. The hidden clause in
Halliburton's contract to repair Iraq's oil wells that also, by
the way, granted it control of production and distribution, despite
the administration's assurances that the Iraqis would run their
own oil industry.
In the rush to war, how many Americans even heard
about some of these possibilities? Of the 574 stories about Iraq
that aired on NBC, ABC, and CBS evening news broadcasts between
September 12 (when Bush addressed the UN) and March 7 (a week
and a half before the war began), only twelve dealt primarily
with the potential aftermath, according to Andrew Tyndall's numbers.
The Republicans were saying only what was convenient,
thus the "he said." The Democratic leadership was saying
little, so there was no "she said." "Journalists
are never going to fill the vacuum left by a weak political opposition,"
says The New York Times's Steven R. Weisman. But why not?
If something important is being ignored, doesn't the press have
an obligation to force our elected officials to address it? We
have the ability, even on considerably less important matters
than war and nation-building. Think of the dozens of articles
The New York Times published between July 10, 2002 and
March 31 about the Augusta National Country Club's exclusion of
women members, including the one from November 25 that carried
the headline cbs staying silent in debate on women joining augusta.
Why couldn't there have been headlines last fall that read: BUSH
STILL MUM ON AFTERMATH, or BEYOND SADDAM: WHAT COULD GO RIGHT,
AND WHAT COULD GO WRONG? And while you're at it, consider the
criticism the Times's mini-crusade on Augusta engendered
in the media world, as though an editor's passion for an issue
never drives coverage.
This is not inconsequential nitpicking. The New
Yorker's editor, David Remnick, who has written in support
of going to war with Iraq, wrote of the aftermath in the March
31 issue: "An American presence in Baghdad will carry with
it risks and responsibilities that will shape the future of the
United States in the world." The press not only could have
prepared the nation and its leadership for the aftermath we are
now witnessing, but should have.
THE REAL BIAS
In the early 1990s, I was a statehouse reporter
for the Charleston Daily Mail in West Virginia. Every time
a bill was introduced in the House to restrict access to abortion,
the speaker, who was solidly pro-choice, sent the bill to the
health committee, which was chaired by a woman who was also pro-choice.
Of course, the bills never emerged from that committee. I was
green and, yes, pro-choice, so it took a couple of years of witnessing
this before it sunk in that - as the antiabortion activists had
been telling me from day one - the committee was stacked with
pro-choice votes and that this was how "liberal" leadership
killed the abortion bills every year while appearing to let the
legislative process run its course. Once I understood, I eagerly
wrote that story, not only because I knew it would get me on page
one, but also because such political maneuverings offended my
reporter's sense of fairness. The bias, ultimately, was toward
the story.
Reporters are biased, but not in the oversimplified,
left-right way that Ann Coulter and the rest of the bias cops
would have everyone believe. As Nicholas Confessore argued in
The American Prospect, most of the loudest bias-spotters
were not reared in a newsroom. They come from politics, where
everything is driven by ideology. Voting Democratic and not going
to church - two bits of demography often trotted out to show how
liberal the press is - certainly have some bearing on one's interpretation
of events. But to leap to the conclusion that reporters use their
precious column inches to push a left-wing agenda is specious
reasoning at its worst. We all have our biases, and they can be
particularly pernicious when they are unconscious. Arguably the
most damaging bias is rarely discussed - the bias born of class.
A number of people interviewed for this story said that the lack
of socioeconomic diversity in the newsroom is one of American
journalism's biggest blind spots. Most newsroom diversity efforts,
though, focus on ethnic, racial, and gender minorities, which
can often mean people with different skin color but largely the
same middle-class background and aspirations. At a March 13 panel
on media bias at Columbia's journalism school, John Leo, a columnist
for U.S. News & World Report, said, "It used to
be that anybody could be a reporter by walking in the door. It's
a little harder to do that now, and you don't get the working-class
Irish poor like Hamill or Breslin or me. What you get is people
from Ivy League colleges with upper-class credentials, what you
get is people who more and more tend to be and act alike."
That, he says, makes it hard for a newsroom to spot its own biases.
Still, most reporters' real biases are not what
political ideologues tend to think. "Politically I'm a reporter,"
says Eric Nalder, an investigative reporter at the San Jose
Mercury News. Reporters are biased toward conflict because
it is more interesting than stories without conflict; we are biased
toward sticking with the pack because it is safe; we are biased
toward event-driven coverage because it is easier; we are biased
toward existing narratives because they are safe and easy. Consider
the story - written by reporters around the country - of how Kenneth
L. Lay, the former ceo of Enron, encouraged employees to buy company
stock as he was secretly dumping his. It was a conveniently damning
narrative, and easy to believe. Only it turned out, some two years
later, to be untrue, leading The New York Times's Kurt
Eichenwald to write a story correcting the record on February
9.
Mostly, though, we are biased in favor of getting
the story, regardless of whose ox is being gored. Listen to Daniel
Bice, an investigative columnist at the Milwaukee Journal-Sentinel,
summarize his reporting philosophy: "Try not to be boring,
be a reliable source of information, cut through the political,
corporate, and bureaucratic bullshit, avoid partisanship, and
hold politicians' feet to the fire." It would be tough to
find a reporter who disagrees with any of that.
In his 1979 book Deciding What's News, the
Columbia sociologist Herbert Gans defined what he called the journalist's
"paraideology," which, he says, unconsciously forms
and strengthens much of what we think of as news judgment. This
consists largely of a number of "enduring values" -
such as "altruistic democracy" and "responsible
capitalism" - that are reformist, not partisan. "In
reality," Gans writes, "the news is not so much conservative
or liberal as it is reformist; indeed, the enduring values are
very much like the values of the Progressive movement of the early
twentieth century." My abortion story, then, came from my
sense that what was happening violated my understanding of "altruistic
democracy." John Laurence distills Gans's paraideology into
simpler terms: "We are for honesty, fairness, courage, humility.
We are against corruption, exploitation, cruelty, criminal behavior,
violence, discrimination, torture, abuse of power, and many other
things." Clifford Levy, a reporter for The New York Times
whose series on abuse in New York's homes for the mentally ill
won a Pulitzer this year, says, "Of all the praise I got
for the series, the most meaningful was from other reporters at
the paper who said it made them proud to work there because it
was a classic case of looking out for those who can't look out
for themselves."
This "paraideology," James Carey explains,
can lead to charges of liberal bias. "There is a bit of the
reformer in anyone who enters journalism," he says. "And
reformers are always going to make conservatives uncomfortable
to an extent because conservatives, by and large, want to preserve
the status quo."
Gans, though, notes a key flaw in the journalist's
paraideology. "Journalists cannot exercise news judgment,"
he writes, "without a composite of nation, society, and national
and social institutions in their collective heads, and this picture
is an aggregate of reality judgments . . . In doing so, they cannot
leave room for the reality judgments that, for example, poor people
have about America; nor do they ask, or even think of asking,
the kinds of questions about the country that radicals, ultraconservatives,
the religiously orthodox, or social scientists ask as a result
of their reality judgments."
This understanding of "the other" has
always been - and will always be - a central challenge of journalism.
No individual embodies all the perspectives of a society. But
we are not served in this effort by a paralyzing fear of being
accused of bias. In their recent book The Press Effect,
Kathleen Hall Jamieson and Paul Waldman make a strong case that
this fear was a major factor in the coverage of the Florida recount
of the 2000 presidential election, and its influence on journalists
was borne out in my reporting for this piece. "Our paper
is under constant criticism by people alleging various forms of
bias," says the Star-Tribune's Eric Black. "And
there is a daily effort to perform in ways that will make it harder
to criticize. Some are reasonable, but there is a line you can
cross after which you are avoiding your duties to truth-telling."
In a March 10 piece critical of the press's performance at Bush's
prewar press conference, USA Today's Peter Johnson quoted
Sam Donaldson as saying that it is difficult for the media - especially
during war - "to press very hard when they know that a large
segment of the population doesn't want to see a president whom
they have anointed having to squirm." If we're about to go
to war - especially one that is controversial - shouldn't the
president squirm?
It is important, always, for reporters to understand
their biases, to understand what the accepted narratives are,
and to work against them as much as possible. This might be less
of a problem if our newsrooms were more diverse - intellectually
and socioeconomically as well as in gender, race, and ethnicity
- but it would still be a struggle. There is too much easy opinion
passing for journalism these days, and this is in no way an attempt
to justify that. Quite the opposite. We need deep reporting and
real understanding, but we also need reporters to acknowledge
all that they don't know, and not try to mask that shortcoming
behind a gloss of attitude, or drown it in a roar of oversimplified
assertions.
TOWARD A BETTER DEFINITION OF OBJECTIVITY
In the last two years, Archbishop Desmond Tutu has
been mentioned in more than 3,000 articles on the Nexis database,
and at least 388 (11 percent) included in the same breath the
fact that he was a Nobel Peace Prize winner. The same search criteria
found that Yasser Arafat turned up in almost 96,000 articles,
but only 177 (less than .2 percent) mentioned that he won the
Nobel prize. When we move beyond stenography, reporters make a
million choices, each one subjective. When, for example, is it
relevant to point out, in a story about Iraq's weapons of mass
destruction, that the U.S. may have helped Saddam Hussein build
those weapons in the 1980s? Every time? Never?
The rules of objectivity don't help us answer such
questions. But there are some steps we can take to clarify what
we do and help us move forward with confidence. A couple of modest
proposals:
Journalists (and journalism) must acknowledge, humbly
and publicly, that what we do is far more subjective and far less
detached than the aura of objectivity implies - and the public
wants to believe. If we stop claiming to be mere objective observers,
it will not end the charges of bias but will allow us to defend
what we do from a more realistic, less hypocritical position.
Secondly, we need to free (and encourage) reporters
to develop expertise and to use it to sort through competing claims,
identify and explain the underlying assumptions of those claims,
and make judgments about what readers and viewers need to know
to understand what is happening. In short, we need them to be
more willing to "adjudicate factual disputes," as Kathleen
Hall Jamieson and Paul Waldman argue in The Press Effect.
Bill Marimow, the editor of the Baltimore Sun, talks of reporters
"mastering" their beats. "We want our reporters
to be analysts," he told a class at Columbia in March. "Becoming
an expert, and mastering the whole range of truth about issues
will give you the ability to make independent judgments."
Timothy Noah, writing in The Washington Monthly
for a 1999 symposium on objectivity, put it this way: "A
good reporter who is well-steeped in his subject matter and who
isn't out to prove his cleverness, but rather is sweating out
a detailed understanding of a topic worth exploring, will probably
develop intelligent opinions that will inform and perhaps be expressed
in his journalism." This happens every day in ways large
and small, but it still happens too rarely. In a March 18 piece
headlined BUSH CLINGS TO DUBIOUS ALLEGATIONS ABOUT IRAQ, The
Washington Post's Walter Pincus and Dana Milbank laid out
all of Bush's "allegations" about Saddam Hussein "that
have been challenged - and in some cases disproved - by the United
Nations, European governments, and even U.S. intelligence."
It was noteworthy for its bluntness, and for its lack of an "analysis"
tag. In commenting on that story, Steven Weisman of The New
York Times illustrates how conflicted journalism is over whether
such a piece belongs in the news columns: "It's a very good
piece, but it is very tendentious," he says. "It's interesting
that the editors didn't put it on page one, because it would look
like they are calling Bush a liar. Maybe we should do more pieces
like it, but you must be careful not to be argumentative."
Some reporters work hard to get these same "argumentative"
ideas into their stories in more subtle ways. Think of Jason Riley's
comment about "feeding information" to sources. Steven
Weisman calls it making it part of the "tissue" of the
story. For example, in a March 17 report on the diplomatic failures
of the Bush administration, Weisman worked in the idea that the
CIA was questioning the Iraq-al Qaeda connection by attributing
it to European officials as one explanation for why the U.S. casus
belli never took hold in the UN.
The test, though, should not be whether it is tendentious,
but whether it is true.
There are those who will argue that if you start
fooling around with the standard of objectivity you open the door
to partisanship. But mainstream reporters by and large are not
ideological warriors. They are imperfect people performing a difficult
job that is crucial to society. Letting them write what they know
and encouraging them to dig toward some deeper understanding of
things is not biased, it is essential. Reporters should feel free,
as Daniel Bice says, to "call it as we see it, but not be
committed to one side or the other." Their professional values
make them, Herbert Gans argues, akin to reformers, and they should
embrace that aspect of what they do, not hide it for fear of being
slapped with a bias charge. And when actual bias seeps in - as
it surely will - the self-policing in the newsroom must be vigorous.
Witness the memo John Carroll, editor of the Los Angeles Times,
wrote last month to his staff after a front-page piece on a new
Texas abortion law veered left of center: "I want everyone
to understand how serious I am about purging all political bias
from our coverage."
Journalists have more tools today than ever to help
them "adjudicate factual disputes." In 1993, before
the computer-age version of "precision journalism" had
taken root in the newsroom, Steve Doig helped The Miami Herald
win a Pulitzer with his computer-assisted stories that traced
damage done by Hurricane Andrew to shoddy home construction and
failed governmental oversight of builders. "Precision journalism
is arguably activist, but it helps us approach the unobtainable
goal of objectivity more than traditional reporting strategies,"
says Doig, who now teaches computer-assisted reporting at Arizona
State University. "It allows you to measure a problem, gives
you facts that are less controvertible. Without the computer power,
our Hurricane Andrew stories would have essentially been finger-pointing
stories, balanced with builders saying there is no way any structure
could have withstood such winds."
On April 1, Ron Martz, a reporter from the Atlanta
Journal-Constitution embedded with the Army in Iraq, delivered
a "war diary" entry on National Public Radio in which
he defended his battlefield decision to drop his reporter's detachment
and take a soldier's place holding an intravenous drip bag and
comforting a wounded Iraqi civilian. The "ethicists,"
Martz said on NPR, tell us this is murky territory. That Martz,
an accomplished reporter, should worry at all that his reputation
could suffer from something like this says much about journalism's
relationship with objectivity. Martz concluded that he is a human
being first and a reporter second, and was comfortable with that.
Despite all our important and necessary attempts to minimize our
humanity, it can't be any other way.
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Brent
Cunningham is CJR's managing editor.