ARTICLES
Rebuilding
Iraq's Media
By
Borzou Daragahi
Hassan Hadi, a Muslim cleric
and would-be director of television and radio for the Islamic
Information Network, sat in his Baghdad office and fumed. It was
late May, and six weeks earlier the U.S. military had freed Iraq
of Saddam Husseins tyranny, allowing Hadi to freely practice
his Shiite faith, speak his mind, and even launch a newspaper
called Voice of Friday. But now he railed against the Americans
who had taken over the Iraqi capitals television and radio
facilities and begun broadcasting.
A petition signed by former television employees authorized Hadi
to speak in their name, and thus the Americans, he said, were
defying the will of the Iraqi people. The Hawza, a famed Shiite
seminary run by ayatollahs in the holy Iraqi city of Najaf, had
granted Hadi authority over Baghdads airwaves, and thus
the Americans were also defying the will of God. In America
there is freedom of everything, says the white-turbaned
cleric. Press, food, drink, dancing, and even sex. The Iraqi
people are a Muslim people, and such things are not acceptable
here. The media is just like food. You have to clean it and make
sure theres no poison before you distribute it.
Across town, behind razor-wire-shrouded checkpoints manned by
peach-faced American soldiers, a group of Iraqi journalists and
American advisers assembled news segments for the Iraqi Media
Network (IMN), the U.S.-backed reincarnation of the countrys
hated and now dissolved, bombed, looted, and torched
Ministry of Information. They have their own dream for the Iraqi
media: a freewheeling cross between the BBC and PBS. The
vision is to provide the Iraqi people with a European broadcasting
system model, says Mike Furlong, a senior adviser to the
U.S. media reconstruction effort.
IMN employees many of whom are former low-level information
ministry employees who now wear U.S. Defense Department badges
use the makeshift broadcast equipment in the dilapidated
Baghdad Convention Center to put together reports about mass graves,
freed prisoners, electricity shortages, and even a few stories
critical of the pace and style of the American reconstruction
effort.
Their boss in Baghdad, Ahmad al Rikabi, a thirty-three-year-old
Iraqi who was raised in Sweden, says hes keen on teaching
his employees the rules of balanced journalism. Trying to
create a free media based on the experience of the journalists
in the last thirty years is almost impossible, so you have to
change the mentality, says al Rikabi, a former London bureau
chief of Radio Free Iraq. We dont serve the government.
Time will tell whether the U.S. advisers working with like-minded
Iraqis can create an Iraqi Jim Lehrer without provoking
the countrys traditionalists and Islamists. The Islamists,
in turn, are joined in their battle for Iraqs airwaves by
Irans ubiquitous, anti-American television and radio broadcasts.
The Iranian broadcasts often the only television available
to Iraqis mix poetry, music, and language classes with
news reports about the Zionist entity and experts
urging Iraqis to ignore the U.S. and take control of the government.
What the Americans hope to create is unprecedented in authoritarian
Arab countries like Iraq, says Massoud Derhally, an editor of
Arabian Business, a Dubai-based monthly magazine. In Arab
countries, you have media that toe the line, he says. And
it may also be unrealistic to expect the Iraqi media to be a carbon
copy of the U.S. press. But in between the efforts of the Americans
on one end of the scale and the Iranians on the other, a new and
unexpected media force has emerged from the rubble of Iraq. By
late May, nearly 100 new publications and a handful of broadcast
outlets were available in Baghdad, with others launching in major
Iraqi cities such as Kirkuk, Mosul, and Basra. They are communist,
monarchist, Kurdish, Assyrian, Islamist, nationalist, and secularist.
Some are shrill and tawdry, like London tabloids. Others are staid
and dry, like a New York broadsheet. But they are Iraqi.
And what their editors and reporters say about their visions for
a post-Saddam media challenges the assumptions of both Iraqs
foreign administrators as well as its domestic guardians of virtue.
Iraqis like to say that
they gave mankind the written word 5,000 years ago. Iraqi journalists
boast that the first Arabic newspaper, Al Zawra, was printed in
Baghdad 135 years ago, and that the nations first television
station was launched in 1956, the same year that TV came to Sweden.
Spirited, mostly politically partisan papers flourished until
the late 1960s. Iraqis continue to pride themselves on their appetite
for the printed word. What is written in Cairo is published
in Beirut but read in Baghdad, the saying goes.
All this ended in the violent coup détat of July
17,1968, that ushered in the era of Husseins Baath Party.
One of the Baathists first acts was to jail Abdel Aziz Barakat,
then head of the journalists union, and shut down his newspaper,
al Manar, which at the time was one of the most professional dailies
in Iraq. Barakat was charged as an American spy and executed a
month later.
Baathists placed a stranglehold on the press, turning it into
a tool to glorify Saddam and his family. Underground or independent
media were unheard of. Decree number 840, which Saddam signed
in 1986, made death the maximum penalty for criticizing the government.
Even carrying copies of unofficial newspapers posed a huge risk.
In 2001, Kurdish officials say, a man was caught in the city of
Khaneqin with a copy of al Ittihad, one of the newspapers published
in the Kurdish-run northern section of Iraq. He was sentenced
to twenty-one years in jail.
Tales from Saddams prisons filled the nightmares of fearful
journalists. The names of disappeared journalists went unspoken.
Theraqem Hashem, a writer for Horass al Waqtan magazine, was arrested
in 1992 and never heard from again. Aziz al Sayed Jassem, who
wrote political books, was arrested in 1991 and disappeared after
he refused to write a book extolling Saddams glories. That
same year Durgham Hashemi, a young journalist at al Thawra, disappeared
a week after he criticized articles in his own newspaper that
claimed Iraqs Shiite Arabs came from India. As many as 500
Iraqi journalists, artists, writers, and intellectuals have been
executed or disappeared and are presumed dead since 1968, according
to the International Alliance for Justice, a French human rights
group.
But Saddams grip on
the media wasnt airtight. Though heavily infiltrated by
the intelligence services, for example, the faculty of the University
of Baghdads College of Mass Media tried to teach their students
the fundamentals of good reporting. When I taught I would
give the academic view, says Moayed al Khafaf, a lecturer
at the college. How to write news, how to write a column,
how to conduct an investigation. We taught students that they
had to be brave, tell the truth, and be accurate. The problem,
al Khafaf says, wasnt what students studied, but rather
that the Ministry of Information controlled everything they wrote.
Even Iraqs American administrators are impressed with the
skills of Iraqs journalists. There are a lot of talented
young people who just need some training, some highly technically
competent people, says Mike Furlong.
In 1992, Saddams oldest son, Uday by all accounts,
a brutal man who treated his pet lions far better than his many
underlings was unanimously elected head of
the journalists union and launched a number of purportedly
independent publications, television stations, and radio operations.
These allowed Saddam and Uday to attack their opponents without
the formal imprimatur of the state-owned media. They also allowed
the government to expand its system of rewards for sycophantic
journalists. One broadcaster, for instance, received $2,500 and
a Honda for his on-air call for the reelection of Saddam Hussein,
says Khalil Ibrahim, a reporter for Fajr Baghdad.
But some of the journalists on Udays payroll many
were graduates of the College of Mass Media took the independent
label seriously.
In 1997 Nab al Shabab, the Uday-controlled weekly paper of the
Youth Union, began publishing articles that were unprecedented
both in terms of their subject matter and as examples of journalists
trying hard to retain their integrity in the harshest environment.
We criticized the governments behavior, says
Mohamed Bedewi al Shamari, a former Nab al Shabab writer who is
now an editor for Ashiraa, a new, 5,000-circulation weekly. We
criticized the checkpoints, the limited freedoms of the people,
the actions of the Baathist security officers. We called on the
government to respect the peoples rights. Al Shamari
and others who worked at these independent publications
say they were able to get away with such criticism, ironically,
because of the twisted reality of life under Saddam. Because they
were known as Udays publications, others in the regime mostly
left them alone. And although Uday was a despot in his own right,
he was also a bit of a loose cannon, these journalists say, and
he argued with his father over what the papers wrote. Still, journalists
did not dare criticize Saddam Hussein directly.
Instead, they pecked around him. One article in 1998 by Hashem
Hassan, Nab al Shababs editor, accused Deputy Prime Minister
Tariq Aziz of wasting his time and the countrys money on
foreign trips and speeches. Others chronicled the growing prostitution
and crime problems. We always went out in the streets and
reported these stories out, says Saad al Awsi, a former
news director of Nab al Shabab.
But in March 1998 the newspaper pushed too far, publishing a satirical
front-page piece about Iraqi opposition groups. The headline,
announcement #1, typically heralds a coming change in government.
The piece included photos of opposition figures, such as Ahmad
Chalabi.
Saddam cracked down. The papers staff was pushed out. Al
Awsi was banned from writing. Al Shamari managed a job at Musawar
al Arabi, another Uday-owned weekly, and began writing an opinion
column that touched upon the same themes. In September 1998, two
men in an unmarked car came to his office and took al Shamari
away. He was jailed for eight days without charges. They
didnt even take down my name, al Shamari says. They
were trying to send a message.
Hashem Hassan was briefly jailed, too, and eventually fled to
the autonomous Kurdish north early last year, where freedom from
Saddams rule since 1991 has ushered in a relatively free
press, including several newspapers completely independent of
political parties.
Over time, many Iraqi journalists fled Saddams rule and
found success in other countries. And todays media bloom
springs in part from these long-dormant seeds of press freedom
planted years earlier.
The media universe in Iraq
these days is populated by everything from Islamists to exiled
media tycoons to local politicians to collectives run by idealistic
journalists. Regardless of their ultimate goal, though, all are
far more likely to look for guidance to the wider Arab world,
or to their own traditions, than to America and the West.
The London-based Azzaman, run by an exiled Iraqi journalist, began
planning to publish an Iraq edition months before Saddams
fall. The full-color, twenty-page daily, carrying international
and local news as well as celebrity gossip and sports, has wowed
Baghdad. Filled with news from around the world and the Middle
East, the mildly Arab-nationalist paper often publishes articles
skeptical of U.S. aims in Iraq and the region. And its the
hottest paper in town, with a circulation that Hathem Aziza, Azzamans
general manager, claims has grown to 30,000. He hopes to reach
50,000 by summers end, and 100,000 by the end of the year.
Editions of Azzaman are also published in London, Bahrain, and
Algeria.
Just days after the regime fell, volunteers in the city of Karbala,
southwest of Baghdad, took over an abandoned 100-watt television
substation and began broadcasting over a range of about twelve
miles. Karbala TV mixes Koranic verses with pirated satellite
news broadcasts, cartoons, and local news segments about the citys
electrical and water problems, put together by volunteers using
handheld camcorders. Announcers sit in a scruffy studio:
a desk and chair in front of a black backdrop. A committee of
locals runs the station, making programming decisions by consensus.
Its a free, independent television station,
says Haydar Noori, an electrical engineer who spends his spare
time as a technician. We dont receive any support
from anyone.
Meanwhile, Najaf TV broadcasts eight hours a day from a tiny one-kilowatt
substation once used to strengthen Baghdad broadcasts. We
cover all of Najafs problems, the city council elections,
the gas shortage, says Ali Abdul Kareem Kashaf al Qeta,
the volunteer station manager who fled Iraq after he launched
Radio Najaf during the Shiite uprising against Saddam that was
brutally crushed in 1991. We found out early that the problem
of water was connected to the electricity problem, he says.
We broadcast images of the destroyed power stations and
got people to fix the problem. Now the water is back.
New newspapers include Al Riazy al Jadeed, a sports weekly, and
the Baghdad Bulletin, an English-language bimonthly launched by
American college students studying in Lebanon. The twice-weekly
Al Ahrar was launched with $10,000 by a thirty-six-year-old candy
merchant. The twice-weekly Asaa, with a print run of 10,000, is
overseen by Adeeb Shabaan, Udays longtime personal secretary,
who had a falling-out with him and was imprisoned in the last
months of the regime.
The new publications mostly crib reports from the wires as well
as major international and Arabic newspapers. Some of them, though
not all, are little more than mouthpieces for political parties
and groups that have sprung up. The free, eight-page Communist
party paper was among the first to hit Baghdads streets
after Saddams fall. It appears the political press
is getting in first and gaining advantage, says Mark Pomar,
president of IREX, a Washington-based group that has helped train
independent media in Eastern Europe and Asia.
The new press remains obsessed with the Saddam era and haunted
by his Baath partys thirty-five-year rule. Articles about
his misdeeds and mass graves fill the pages. The papers pump out
salacious stories about Saddam and his familys troubles
and exploits, making them sound like characters in Dynasty rather
than fearsome dictators. qusay grabbed $1 billion and 70 billion
euros before the war, screamed a headline in Al Adala, a new daily
published by the pro-Iranian Supreme Council for the Islamic Revolution
in Iraq. uday and his mother killed man who introduced him to
saddams second wife, said Al Shams, a new weekly. uday offered
$1.5 million to fire editor in chief of jordanian newspaper, said
Al Sumer, a highbrow daily published by the Iraqi Media Network.
after three years of a secret relationship, woman married saddam
after he forced her to divorce her husband, reported Al Resalah,
a religious weekly.
The new press also hasnt been shy about publishing negative
articles on the motives and methods of the American invasion force,
which now numbers nearly 160,000. u.s. and europeans race to win
iraq mobile phone contracts, reported Al Ayam. security has become
a dream that will never come true, read a headline in al Adala,
over an article declaring that Iraq will never have true safety
until the Americans leave and a national government takes over.
under americas watch, raping, killing, burning and looting,
said Al Ahrar.
Despite all the freedom, criticism of the influence and methods
of Iraqs religious leaders is still off limits. Many journalists
say Iraq remains at heart a traditional, religious country. We
dont have to criticize sacred values, especially in the
beginning, says Hamid Ali Alkifaey, a former Iraqi exile
journalist.
If the press has refrained from critiquing the political power
of the Islamic hierarchy, it has enthusiastically published photographs
of scantily clad women that would offend Islamists cultural
sensitivities. Back pages are filled with celebrity gossip and
chatter from the Arab world as well as Hollywood. who will be
miss universe? asked a headline in Alahali, a new weekly, above
a picture of a former Panamanian beauty queen, Justine Pasek,
wearing a see-through blouse. egyptian actress chosen to portray
saddams girlfriend in upcoming movie, declared a headline
on the back page of Azzaman.
The media explosion will
likely abate unless the Iraqi economy eroded by twelve
years of sanctions and then knocked flat by the war quickly
picks up and generates advertising revenue, say experts at nonprofit
organizations whove rebuilt media in other war-torn countries.
Now we can see a thousands flowers blooming, said
Antti Kuusi of the Baltic Media Centre, a Denmark-based organization.
But it wont last, because no media here is able to
function profitably.
In addition to money, the newspapers need a legal framework in
which to operate. In early June, Iraqi opposition figures and
journalist-rights activists gathered in Athens for a forum on
an Iraqi media law. We want to have an independent media,
says Hamid Ali Alkifaey, one of the conferences organizers.
And you cant have new media without a new media law
that clearly defines the relationship between the press and the
government.
Meanwhile, the U.S. authorities in Baghdad were drafting a media
code of conduct including the licensing of
broadcast outlets and a possible regulatory board to monitor media.
This elicited howls of protest from Iraqi journalists, who called
it censorship. At press time, details of the code as well
as its ultimate fate were not available. But the idea,
say U.S. officials, is to prevent hate speech or ideas that hinder
the development of a civil society. Theres no room
for hateful messages that will destabilize the emerging Iraqi
democracy, says Mike Furlong.
In addition to the Americans, a handful of international organizations
have mobilized to help Iraqi journalists. In late April and early
May, representatives from media charities and liberal publications
such as The Nation and Salon met in London to coordinate efforts
to rebuild Iraqs media, says Rohan Jayasekera, a veteran
of reconstruction efforts in Afghanistan, the Balkans, Sri Lanka,
Georgia, and Cyprus. Of all these countries, Iraq has the
resources to rebuild its media in the long run, says Jayasekera.
You have money, education, political participation. You
add all that together and its a great growing environment
for independent, professional media.
For now, though, most Iraqi journalists have put aside worries
about long-term survival as they dive joyfully into new freedoms
and reconnect to their nations literary past. After graduating
from journalism school, Ashtar Ali Yasseri, twenty-five, wrote
for al Zawra, a mouthpiece for Udays journalists union.
After the fall of Saddam, she and her father relaunched Habezbooz,
a satirical Baghdad paper last published in 1932. One early issue
of the illustrated weekly included a mock interview with Jay Garner,
then the Pentagons top man in Iraq, in which he describes
his love of Mosuls kabobs. This is the best time for
this kind of newspaper, says Ali Yasseri. Its
good to make fun of things. It feels good to laugh.
Al Manar has also been relaunched after a thirty-five-year absence,
and dedicated to its founder, Aziz Abdel Barakat, the journalism
union chief whose execution in 1968 marked the beginning of the
Iraqi medias darkest days. The 15,000-circulation daily
has ambition, with forty journalists and bureaus in Hilla, Karbala,
Najaf, Basra, Kirkuk, and Mosul. Without working phone lines,
reporters file stories via courier, says Taha Arif Muhammad, the
sprightly sixty-seven-year-old editor for whom Barakat was a mentor.
Some day, we would love to add bureaus in Jordan, Syria,
and the United Arab Emirates, he said.
One day in late May, two American soldiers most likely
from Army civil affairs units came by to ask Muhammad what
his newspaper needed. I told them, We dont want
financial support or equipment or any other kind of help,
he recalls. But if you have any news tips, please
give them to us.